Concert review

Choral Music, Concert review, Contemporary Classical, Los Angeles, Orchestral

Pamela Madsen – Oratorio for the Earth

The world premiere of Oratorio for the Earth by Pamela Madsen was heard in the Meng Concert Hall at Cal State University, Fullerton on May 14, 2022. If you couldn’t make it to the performance, a video of a quite satisfactory quality is now available online. This seven-movement oratorio is scored for a full orchestra, a large chorus and six vocal soloists who are the Hex Ensemble. The work offers a dramatic commentary on the uncertain state of nature and the earth in a time of portentous climate change. While the scope and scale of Oratorio for the Earth is

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Concert review, Contemporary Classical, Ojai, Premieres

Ojai Music Festival – McIntosh and Aucoin

On Saturday, June11, 2022 the Ojai Music Festival evening concert featured Little Jimmy, by Andrew McIntosh along with Deep Water Trawling and Family Dinner, both by Matthew Aucoin. The Libbey Bowl was mostly filled as was the lawn seating. A perfect evening, clear and warm, added to the pleasant Ojai atmosphere. Andrew McIntosh is a Los Angeles-based composer and gifted violinist who is also an avid outdoorsman. Andrew has made it to the summit of several peaks in the Sierras as well as Mount Shashta, and he can often be found hiking the local trails. Little Jimmy is named for

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Concert review, Contemporary Classical, Ojai

Ojai Music Festival – Julius Eastman

The 75th anniversary edition of the Ojai Music Festival opened on June 9 and ran through June 12, 2022. A full program was scheduled by Music Director Zack Winokur including 17 core artists, 20 collaborators and participation by the American Modern Opera Company (AMOC). A wide variety of music was planned, from J.S. Bach to Andrew McIntosh and included a world premier by Matthew Aucoin. The Ojai weather was perfect and a sizable crowd surged in and around Libbey Park, almost as if the pandemic had never happened. The Friday morning concert, titled Eastman, was given over entirely to the

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Chamber Music, Classical Music, Composers, Concert review, Concerts, Contemporary Classical, New York, Orchestral, Review, Twentieth Century Composer

The Parker Quartet premieres Jeremy Gill’s “Motherwhere”

April the First proved a propitious date for the New York Classical Players’ much anticipated program featuring a new collaboration – and premiere – with the Parker Quartet. In the mere twelve years since their inception, NYCP has consistently brought spirit and devotion to so much of what they do, and this early Spring concert at W83 Auditorium was no exception. In many respects, the highlight of the evening was Jeremy Gill’s joyous new work, “Motherwhere,” a concerto grosso for the Parker Quartet and NYCP. But well-worn, oft’-loved music by Tchaikovsky was also on offer, delivered with great heart. And

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Concert review, Contemporary Classical, Los Angeles

Noon to Midnight – Part 2

The Noon to Midnight event at Disney Hall allows you to choose from twenty different performances at various places throughout the venue. It is impossible to see everything over the twelve hours, but here is more about of what I heard. Jacaranda Music took the main concert stage at 2:00 PM to perform The Illusion of Permanence, by Rajna Swaminathan, a world premiere and LA Phil commission. The ensemble arrived, consisting of double bass, cello, viola and violin along with a flute, oboe, trumpet, marimba and piano. The composer played the tabla and provided vocals. All were led by conductor

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Concert review, Contemporary Classical, Los Angeles, Music Events

Noon to Midnight – Part 1

On Saturday, April 9, after a pandemic-enforced hiatus of two years, the Noon to Midnight: A Day of New Music event returned to the Disney Concert Hall sponsored by the Los Angeles Philharmonic. This popular open house features local new music groups and performances throughout the Disney Hall venue. It is informal, low cost, and a chance to catch up with musical friends and listen to a variety of new sounds. The LA Phil commissioned a number of pieces and their New Music Group also performed. The many offerings overlap so you can’t hear all of it, but with 12

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Concert review, Contemporary Classical, Los Angeles

Nadia Shpachenko Recital

On April 2, 2022 in Salmon Hall at Chapman University, Grammy Award-winning pianist Nadia Shpachenko was the guest artist for a recital of piano music that featured two world premieres. Recent pieces by contemporary composers Ian Dicke, Dana Kaufman, David Sanford, Adam Schoenberg, and Pamela Z were included, centering on a theme inspired by the game of soccer. The final work of the evening was Invasion, by Pulitzer Prize-winning composer Lewis Spratlan, performed by an instrumental ensemble and composed in response to the horrific events unfolding in Ukraine, Ms. Shpachenko’s home country. The first piece on the program was Telstar

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Concert review, Contemporary Classical, Los Angeles, Piano

New Universes: George Crumb’s Makrokosmos at 50

On March 15, 2022 Brightwork Newmusic and Tuesdays at Monk Space presented New Universes: George Crumb’s Makrokosmos at 50. The concert, featuring pianist Nic Gerpe, consisted of the first volume of zodiac music by George Crumb as well as twelve new pieces inspired by Makrokosmos . These made up the movements of The Makrokosmos 50 Project, the second work on the concert program and a Los Angeles premiere. George Crumb was born in 1929 and, after a long and creative life, passed away suddenly on February 6. This concert, planned earlier in the year, unexpectedly became a commemoration for George

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Concert review, Contemporary Classical, Los Angeles

Synchromy Concert: Tierkreis L.A.

On January 8 and 9, 2022, Synchromy mounted two live concert presentations of Tierkreis L.A. Jason Barabba and eleven other local Los Angeles composers contributed new pieces inspired by the twelve original Tierkreis (zodiac) movements of Karlheinz Stockhausen. The Brightwork Ensemble was on hand to perform the music and the concert was accompanied throughout with artful cut paper and line drawing screen projections by Erik Ruin. The Ivy Substation Theater in the heart of Culver City was the venue and a lively musical preamble by SpacePants preceded the performance. Tierkreis L.A. marks a bold beginning for the return of live

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Chamber Music, Concert review, Contemporary Classical, Ojai

Ojai Music Festival – Sunday Morning Concert

On the last day of the Ojai Music Festival, the 11:00 AM morning concert featured the LA Philharmonic New Music Group performing five works, including a world premiere. The concert opened with Río de las Mariposas, a 1995 piece by Gabriela Ortiz. The title translates to ‘River of Butterflies’ and was inspired by a trip down the Tlacotalpan River near Veracruz, Mexico when Ms. Ortiz was a youngster. The indigenous music heard during that trip, the tropical setting and the Caribbean music Ortiz heard as a student in London are all combined in the nostalgic and magical Río de las

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