Contemporary Classical

Contemporary Classical

Dragonchild – “Above All” – (Single)

Today, dragonchild released “Above All,” a single from his forthcoming debut self-titled album, out April 21st, 2023 on FPE Records. dragonchild is new project by Debo Band’s DA Mekonnen. Mekonnen’s background is fascinating. He is a composer, saxophonist, and ethnomusicologist who is applying the study of eighties Ethiopian cassette culture to create the music on the LP. His lithe saxophone solos celebrate this tradition of disseminating music, reviving its musical grammar and spirit. Recommended.   Above All by FPE Records

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CD Review, Contemporary Classical, Minimalism

Peter Garland – The Basketweave Elegies

Cold Blue Music has released The Basketweave Elegies, a new recording of music by Peter Garland. This is a CD of solo vibraphone music performed by renowned percussionist William Winant, a close friend and collaborator of the composer. The album consists of nine short movements in an alternating mixture of ‘declamatory core’ pieces and ‘lyric refrains’. Inspired by his admiration of basket making, Garland writes of the album: “The title was originally conceived as a homage to the late artist Ruth Asawa (1926-2013), famous for, among other things, her woven wire sculptures.” Peter Garland has a long and distinguished career

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Contemporary Classical

Julia Holter and Spektral Quartet record Alex Temple (CD Review)

Behind the Wallpaper Alex Temple Spektral Quartet: Clara Lyon (violin), Theo Espy (violin), Doyle Armbrust (viola), Russell Rolen (cello); Julia Holter: voice New Amsterdam Records Out this Friday, March 3rd, via New Amsterdam Records  is composer Alex Temple’s cycle Behind the Wallpaper. Vocalist Julia Holter joins the Spektral Quartet in this song cycle inspired by Temple’s gender transition.  Holter, as always, is a marvel, with expressive, liquescent singing throughout her soprano voice’s range. The Spektral Quartet is given a variety of styles to play, from doleful lyricism reminiscent of Shostakovich’s string quartets to post-minimalism. The musical smorgasbord reminds me in

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Contemporary Classical

Oracle – Joanna Mattrey and Gabby Fluke-Mogul (CD Review)

Oracle Joanna Mattrey, Gabby Fluke-Mogul Relative Pitch Records RPR1143   In their first collaboration, improvisers violist Joanna Mattrey and violinist Gabby Fluke-Mogul create music that combines drones, microtones, and extended techniques. Mattrey also plays stroh violin, which includes an attached horn that serves as a resonating chamber. Performing the aforementioned sounds on the stroh creates far out results.   Each piece on the album is titled, “The,” followed by a single evocative word. Wayward lines and multi-stop pizzicatos begin “The Vision,” which are then followed by pizzicato glissandos accompanying a bluesy riff. Improvisations vacillate between these two demeanors, with greater

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CD Review, Contemporary Classical, File Under?, Percussion

Tony Oliver plays James Romig’s Spaces (CD Review)

Spaces James Romig Tony Oliver, vibraphone Sawyer Editions   James Romig’s music has become more expansive. Spaces (2021) is his third recent piece to run over an hour in duration. Still (2016), a piece for pianist Ashlee Mack, was a finalist for the Pulitzer Prize. Last year brought The Complexity of Distance, a piece for metal guitarist Mike Scheidt that was both rigorously constructed and ripped uproariously.    Like all of Romig’s music, Spaces has a highly detailed plan. Each of the four sections of the piece has an “a” and a “b” subgroup. They begin with a collection of

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CD Review, Contemporary Classical, File Under?

Anthony Cheung on Kairos (CD Review)

Anthony Cheung Music for Film, Sculpture, and Captions Ueli Wiget, piano, Ensemble Modern, Franck Ollu, conductor; Ensemble dal Niente, Michael Lewanski, conductor; Ensemble Musikfabrik, Elena Schwarz, conductor Kairos Music   Anthony Cheung is a prolific composer whose music is situated astride spectralism and second modernity. This is his fifth portrait CD, his first for Kairos, and first of music that accompanies extra musical media. While these sources of inspiration are pivotal components for the music’s genesis, it stands on its own as an audio recording. The works are performed by three top flight groups, Ensemble Modern, conducted by Franck Ollu

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CD Review, Chamber Music, Classical Music, Contemporary Classical, File Under?

Renaud Capuçon and Martha Argerich on DG (CD Review)

Beethoven, Schumann, Franck Renaud Capuçon, violin; Martha Argerich, piano Deutsche Grammophon   Three violin sonatas by great nineteenth century composers, all in A, grace this recording by violinist Renaud Capuçon and pianist Martha Argerich. Longtime collaborators, the duo sound seamless in these performances. They create detailed renditions, faithful to the scores but keen to put their own stamp on the pieces.   The first movement of the Schumann exemplifies this approach, with the performers digging into the main theme and unspinning  legato lines in its development, the tempo treated flexibly. In the second movement, an Allegretto of considerable delicacy, Capuçon

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Concert review, Contemporary Classical, Experimental Music, Los Angeles

Southland Ensemble – James Tenney

After almost three years on hiatus due to the covid pandemic, the Southland Ensemble returned to the concert stage on February 3, 2023 to perform Harmonium, experimental music composed by James Tenney. The venue was Frankie, a large studio building deep in the heart of the warehouse district in Boyle Heights. The Southland Ensemble is known for performing historically significant music. In selecting works by James Tenney for this concert, they gave voice to perhaps the most influential West Coast composer of the last 30 years. Three pieces, averaging about 20 minutes each, provided a full hour of pioneering harmonies

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CD Review, Contemporary Classical, Minimalism

Michael Byron – Halcyon Days

On February 10, 2023, Cold Blue Music released Halcyon Days, a new album of music by composer Michael Byron. The CD consists of percussion and keyboard pieces that date from early in Byron’s career providing new insight into the beginnings and development of his brilliantly original style. The performers on the album include Vicki Ray and Aron Kallay, two of the top new music pianists in Los Angeles. The legendary William Winant and his versatile percussion group are also heard on this CD. The material dates from 1972 to 1978 and also includes one recent work from 2016, performed by

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