Contemporary Classical

Concert review, Contemporary Classical, Experimental Music, Los Angeles

Synchromy – Play Nice: An Evening of Two Harps

Elizabeth Huston and Catherine Litaker were the featured performers for Play Nice – An Evening of Two Harps, a concert presented by Synchromy and held on a rainy December 1, 2022. Originally scheduled for 2020, this concert was postponed for two years due to the Covid pandemic. Six pieces, including two world premieres, were on the program performed at the CadFab Creative gallery in the Culver City Arts District. A wide variety of unusual harp music was heard including solos, duos, extended techniques and pieces with integrated electronic processing. The first half of the concert was titled Interstellar Space and

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CD Review, Contemporary Classical, File Under?

Favorites 2022: The Blue Hour

The Blue Hour Shara Nova, voice A Far Cry Nonesuch Records Where once only one composer would create a work, creative collaborations are gaining a presence in contemporary classical music. The Blue Hour is the co-creation of five artists: vocalist/composer Shara Nova, and composers Angelica Negrón, Caroline Shaw, Rachel Grimes, and Sarah Kirkland Snider. They are joined by the chamber orchestra A Far Cry, who commissioned the work. The texts used throughout are excerpts from On Earth, by Carolyn Forché. The poem contains farflung, often abstract,  images as its protagonist moves in the space between life and death, navigating memories

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CD Review, Contemporary Classical, File Under?

File Under Favorites 2022: Richard Causton on NMC

Richard Causton La Terra Impareggiabile Michael Farnsworth, baritone; Huw Watkins, piano BBC Symphony Orchestra, Sakari Oramo, conductor NMC Recordings   Richard Causton teaches at the University of Cambridge. His latest recording for NMC, a label with which he has long been associated, La Terra Impareggiabile, features a recent orchestra piece that has already garnered much acclaim, and a song cycle that took twenty-six years to finalize. The contrasts between these pieces demonstrate the breadth of Causton’s oeuvre, and the varied ways in which he approaches composing particular pieces.   Ik seg: NU (“I say: NOW) (2019) has an interesting backstory

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CD Review, Contemporary Classical, File Under?

File Under Favorites 2022: Hugi Guðmundsson’s Windbells (Recording review)

Hugi Guðmundsson Windbells Reykjavik Chamber Orchestra Asbørn Ibsen Bruun, conductor Ashildur Haraldsdóttir, flute; Hildigunnur Einarsdóttir, mezzo-soprano Sono Luminus CD Icelandic composer Hugi Guðmundsson has crafted an idiom combining neo-tonality and modernist inflections, with deliberate rhythms often based on slowly evolving ostinatos. Aspects of rhythmic construction loom large on Windbells, a portrait CD for Sono Luminus, as well as Guðmundsson’s incorporation of electronics into chamber works.    Entropy (2019) for flute, clarinet, cello, and piano is cast in two movements. The first, “Arrow of Time,” moves at a steady clip, its moto perpetuo adorned by various members of the ensemble darting

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CD Review, Choral Music, Contemporary Classical, File Under?

File Under Favorites 2022: Christopher Fox and Exaudi

  Christopher Fox Trostlieder Exaudi, conducted by James Weeks Kairos Music   British composer Christopher Fox’s latest portrait CD on Kairos focuses on music for vocal ensemble. Exaudi, conducted by James Weeks, is one of the finest groups for recent repertoire in the UK, and they present this program with characteristic care and detail. This is their third disc devoted to Fox’s music   The four Trostlieder Widerwertigkeit des Kriegs (“Poems of comfort in the awfulness of war”) (2015) were written as companion pieces to Heinrich Schütz’s 1648 collection Geistliche Chormusik. Published at the end of the Thirty Years War,

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Concert review, Contemporary Classical, Los Angeles

Populist Records – Tuesdays @ Monk Space

On Tuesday, November 22, 2022, Brightwork newmusic’s Tuesday@Monk Space was host to the populist records recording label and several of their artists in a concert titled Ten Years of populist records. Andrew McIntosh, Rachel Beetz, Nicholas Deyoe and Aperture Duo all performed in a selection of music heard on CDs released over the ten year history of populist records. It was good to see a big crowd at Monk Space with everyone getting reacquainted after the scarcity of live performances during the pandemic. Eggs and Baskets (1987), by Tom Johnson was the first piece on the concert program and was

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CD Review, Contemporary Classical, Electro-Acoustic, File Under?

Favorites 2022: Andrew McIntosh – Little Jimmy (Recording Review)

Andrew Mcintosh Little Jimmy Yarn/Wire Kairos Composer and sound recordist Andrew Mcintosh has worked with Yarn/Wire, a quartet of two pianos and two percussionists, for over a decade, and this Kairos portrait CD demonstrates their keen musical connection. The title work references a special scene: recordings of Rosenita Saddle in Angeles National Forest, where Mcintosh routinely walked. It has since been ravaged by damage from wildfires. Sounds from wildlife, particularly wind, birds, and crunching underfoot during nature walks, connect Little Jimmy’s title work and solo piano piece “I Have a Lot to Learn” with feelings of the loss of the

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CD Review, Contemporary Classical, Experimental Music, Los Angeles

Mattie Barbier – threads

The Covid pandemic of the last two years has drastically reduced live performances, and many musicians have stayed busy making studio recordings. Experimental music has benefited from this with the release of threads, a new CD from Sofa Music by trombonist Mattie Barbier. Recorded at the Tank Center for Sonic Arts in Rangely, Colorado in October of 2020, threads is an exploration of the possibilities of musical sounds when heard in an environment with ‘extraordinary internal acoustical resonance’. The Tank Center facility is built around an abandoned steel railroad water tank some seven stories high making it a unique venue

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CD Review, Contemporary Classical, Experimental Music, File Under?

File Under Favorites 2022 – Olivia de Prato (CD Review

File Under Favorites 2022 Olivia de Prato I.AM. New World Records Violinist Oliva de Prato is one of the stalwarts of the New York new music community, performing premieres with a plethora of organizations and in demand as a solo artist. Her latest recording for New World, I.AM. is a celebration of “Artistry and Motherhood.” De Prato, a mother herself, commissioned composers who are navigating motherhood and their careers. The project provides a nurturing, welcome perspective.   “Automatic Writing Mumbles of the Late Hours,” is by Natacha Diels, a composer and sound artist. The piece requires de Prato to trigger

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