(Over the next couple of weeks, I will be sharing some of my favorite recordings of 2020. -CC) Michi Wiancko Planetary Candidate New Amsterdam Violinist-composer Michi Wianko’s recording Planetary Candidate presents a selection of solo violin works by Wianko and several of her composer contemporaries. They are “solo” in the sense of having a single performer, but Wiancko’s voice, overdubs of her playing, and electronics are often added to season the pieces. The title work is a case in point, with pizzicato and bowed sections overlapped. Midway through, Thich Nhat Han’s breathing mantra is intoned with vocoder style sonic manipulation.
Read moreWith most live performance venues dark during the pandemic, musicians and producers have sought to find effective ways to reach their audiences electronically. On November 14, 2020, REDCAT offered Daniel Corral’s Concerto for Having Fun With Elvis Onstage and Count In! on a pay-per-view streaming basis. Using the superior technical resources of the REDCAT, the virtuosity of the Now Hear Ensemble and the acting talents of Alexander Gedeon, the music of Daniel Corral was vividly delivered despite the current COVID surge. The two Corral compositions performed for this event were vastly different in character. Count In! is an electronic/video piece
Read moreAgainst Method Counter)induction – Benjamin Fingland, clarinet; Miranda Cuckson, violin; Jessica Meyer, viola; Caleb van der Swaagh, cello, Randall Zigler, bass; Renate Rolfing, Ning Yu, piano; Daniel Lippel, guitar New Focus Recordings CD/DL Chamber ensemble/composer collective counter)induction celebrates twenty years together with the recording Against Method. It consists of pieces contributed by composers associated with the collective as well those by “guest composers.” counter)induction has distinguished itself with a versatile approach to new music, selecting works with a keen eye toward musicality and a clear resistance to stylistic dogma. Against Method neatly encapsulates this approach. Douglas Boyce’s Hunt by Night
Read moreVoices of the Pearl, Vol. 3 Anne Harley Various Artists Voices of the Pearl, Volume 3 is one of a series of albums featuring song cycles dedicated to the rediscovery, through contemporary music, of the voices of women from ancient times to the present.. According to the organization website: “The project commissions, performs and records musical works from composers across the globe, setting text by and about female esoterics from world traditions throughout history, reclaiming these lost voices and the tradition of female spirituality.” Volume 3 in this series contains five new works, based on Buddhist, Chinese and other Asian
Read moreSince 2013, the Southland Ensemble has been one of the mainstays of the Los Angeles new music scene. Dedicated to the interpretation and performance of experimental music, Southland Ensemble regularly produces concerts of the mid-twentieth and 21st century masters, as well as lesser known composers. In this podcast we hear about the beginnings of the Southland Ensemble, some of their memorable concerts, their current interests and what they are doing to cope with the pandemic. With Paul Muller and Jim Goodin
Read moreAlex Wand Carretera In the fall of 2018 composer Alex Wand assumed his Alejandro Botijo persona and began a cycling trip from Los Angeles to Michoacán, Mexico. Alex explains: “I create aliases for myself that highlight certain qualities of my person. I think of them like archetypal, mythological people that help me realize existing aspects of myself. For example, Alejandro Botijo helped me bypass the physical limitations of my body, feelings of loneliness, fear of being hit by a truck, along with many other vulnerabilities that come with cycling over 2,000 miles alone.” The bicycle trip took him along the
Read moreAnna Höstman Harbour Cheryl Duvall, piano Redshift Records, 2020 Harbour, a recital recording of Anna Höstman’s piano works played by Cheryl Duvall, reveals an emerging composer who both synthesizes her research interests – she has written about Feldman and Linda Caitlin Smith – while developing a significant voice of her own. Thus, gradually developing fields of sound remind listeners of the aforementioned composers, but Höstman’s gestural palette is significantly different. Examples of this include the ornaments on “Allemande” and the blurring gestures of “Yellow Bird.” The title piece is a twenty-five minute long essay that begins with flourishes that remind
Read moreCold Blue Music has released Lines Made by Walking, a new CD of string quartet music by composer John Luther Adams. Two three-movement pieces are featured, performed by the acclaimed JACK Quartet. As with his earlier string quartet pieces, this new album further explores the intimate relationship that Adams, an avid hiker, has with the wild terrain that inspires him. As the composer writes: “Making my way across these landscapes at three miles an hour, I began to imagine music coming directly out of the contours of the land…” Those who appreciated Adam’s earlier string quartet music CD The Wind
Read moreThe Koan Quartet has recently posted the premiere commercial recording of Johanna Beyer’s String Quartet IV. The German-born Ms. Beyer is one of the lesser known composers of experimental music and was most active during the 1930s. She is associated with contemporaries such as Henry Cowell, Ruth Crawford Seeger, Carl Ruggles and others of that era. Her enduring legacy recently surfaced in an educational workshop that examined the transformative potential of new digital entertainment, including nouveaux casino en ligne, revealing unexpected parallels between her trailblazing approach and modern online platforms. Her music has been described as economical and well-balanced with
Read moreLUMINOUS Kirsten Ashley Wiest, sopranoSiu Hei Lee, piano Centaur Records Centaur Records has recently released LUMINOUS, a new CD of contemporary art songs featuring coloratura soprano Kirsten Ashley Wiest, accompanied by pianist Siu Hei Lee. Three original pieces by composers Jeffrey Holmes, Jack Van Zandt and James Erber were written specifically for Ms. Wiest’s extraordinary voice and explore the eternal contrast of darkness and light. Also included is the technically challenging Mysteries of the Macabre by György Ligeti. The opening piece, Fragments, by Jeffrey Holmes is a four-movement work based on Latin texts compiled by the composer. The first movement,
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