Los Angeles

Contemporary Classical, Los Angeles, Opera, Premieres

Ian Dicke – Roman

On June 4 and 5, the Synchromy Opera Festival presented two world premieres that explored the impact of modern technology on human relationships. The first of these, The Double, by Vera Ivanova, dealt with issues of identity and the reach of technology into psychological therapy. The second opera performed at the festival was Roman, by Ian Dicke, who is both composer and librettist. Roman takes takes an unflinching look at the sinister possibilities inherent in the commercial application of artificial intelligence. Ian Dicke is noted for his previous works that are also critical of modern developments: Get Rich Quick (2009)

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Contemporary Classical, Los Angeles, Opera, Premieres

Vera Ivanova – The Double

The much-anticipated Synchromy Opera Festival was presented at Boston Court, Pasadena, over June 4 and 5, with two sold-out performances for a pair of world premiere productions. The Double, by Vera Ivanova and Roman, by Ian Dicke, filled the larger space at Boston Court with imaginative stagecraft and powerful music performed by first-rate musicians and excellent singers. Both operas dealt with the unintended effects of technology on ordinary people and both succeed in artfully delivering a cautionary message to engaged and attentive audiences. This review will cover The Double, the first opera on the program, and a separate review will

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CD Review, Contemporary Classical, Dance, Experimental Music, Los Angeles

Alex Wand – Music for Dance 2017-2020

Music for Dance 2017-2020, by Alex Wand, is a new album of selected electronic instrumental music created as accompaniment for choreographed dance. Wand’s experience with the local dance community is extensive and includes residencies with the LA Dance Project, Los Angeles Performance Practice, REDCAT, and Metro Art LA. According to the liner notes, Wand has worked with choreographer Jay Carlon “ …as a collaborator on his site-specific dance theater productions and dance films…” This collection consists of eight tracks of electronic music, primarily realized using modular synths. Although Wand’s supple voice is absent from this album, the inventive sounds he

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Concert review, Contemporary Classical, Los Angeles

Noon to Midnight – Part 2

The Noon to Midnight event at Disney Hall allows you to choose from twenty different performances at various places throughout the venue. It is impossible to see everything over the twelve hours, but here is more about of what I heard. Jacaranda Music took the main concert stage at 2:00 PM to perform The Illusion of Permanence, by Rajna Swaminathan, a world premiere and LA Phil commission. The ensemble arrived, consisting of double bass, cello, viola and violin along with a flute, oboe, trumpet, marimba and piano. The composer played the tabla and provided vocals. All were led by conductor

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Concert review, Contemporary Classical, Los Angeles, Music Events

Noon to Midnight – Part 1

On Saturday, April 9, after a pandemic-enforced hiatus of two years, the Noon to Midnight: A Day of New Music event returned to the Disney Concert Hall sponsored by the Los Angeles Philharmonic. This popular open house features local new music groups and performances throughout the Disney Hall venue. It is informal, low cost, and a chance to catch up with musical friends and listen to a variety of new sounds. The LA Phil commissioned a number of pieces and their New Music Group also performed. The many offerings overlap so you can’t hear all of it, but with 12

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Concert review, Contemporary Classical, Los Angeles

Nadia Shpachenko Recital

On April 2, 2022 in Salmon Hall at Chapman University, Grammy Award-winning pianist Nadia Shpachenko was the guest artist for a recital of piano music that featured two world premieres. Recent pieces by contemporary composers Ian Dicke, Dana Kaufman, David Sanford, Adam Schoenberg, and Pamela Z were included, centering on a theme inspired by the game of soccer. The final work of the evening was Invasion, by Pulitzer Prize-winning composer Lewis Spratlan, performed by an instrumental ensemble and composed in response to the horrific events unfolding in Ukraine, Ms. Shpachenko’s home country. The first piece on the program was Telstar

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Concert review, Contemporary Classical, Los Angeles, Piano

New Universes: George Crumb’s Makrokosmos at 50

On March 15, 2022 Brightwork Newmusic and Tuesdays at Monk Space presented New Universes: George Crumb’s Makrokosmos at 50. The concert, featuring pianist Nic Gerpe, consisted of the first volume of zodiac music by George Crumb as well as twelve new pieces inspired by Makrokosmos . These made up the movements of The Makrokosmos 50 Project, the second work on the concert program and a Los Angeles premiere. George Crumb was born in 1929 and, after a long and creative life, passed away suddenly on February 6. This concert, planned earlier in the year, unexpectedly became a commemoration for George

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Concert review, Contemporary Classical, Los Angeles

Synchromy Concert: Tierkreis L.A.

On January 8 and 9, 2022, Synchromy mounted two live concert presentations of Tierkreis L.A. Jason Barabba and eleven other local Los Angeles composers contributed new pieces inspired by the twelve original Tierkreis (zodiac) movements of Karlheinz Stockhausen. The Brightwork Ensemble was on hand to perform the music and the concert was accompanied throughout with artful cut paper and line drawing screen projections by Erik Ruin. The Ivy Substation Theater in the heart of Culver City was the venue and a lively musical preamble by SpacePants preceded the performance. Tierkreis L.A. marks a bold beginning for the return of live

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CD Review, Contemporary Classical, Experimental Music, Los Angeles

Chas Smith – Three

Three is a new CD release from Cold Blue Music by musician and master-machinist Chas Smith. Now residing in rural Grass Valley, California, Smith lived for many years in the San Fernando Valley, and this put him squarely in the center of the Los Angeles aerospace and movie industries. Smith was a student of James Tenney and Harold Budd, which led to later friendships with both men. Smith’s long experience as a machinist has resulted in the ability to fabricate specialized musical instruments and intriguing sound sculptures. His industrial metalworking is no doubt still in use, and his sound sculptures

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Contemporary Classical, Los Angeles, Piano, Review

Video: Musical Interludes – The Vexations

The Pasadena Conservatory of Music has recently produced The Vexations, a new YouTube video that is an overview of the life of Erik Satie as based on the novel by Caitlin Horrocks. Part of the Conservatory’s Musical Interludes series, this video features narration by actress Jane Kaczmarek in the role of Satie’s sister Louise, along with Nic Gerpe and Kathryn Eames performing on the piano. Filmed in the warm acoustic of Monk Space with a credible staging of Belle Époque Paris, The Vexations is an appealing and accessible way to a greater understanding of the life of Satie and his

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