Tag: CD review

CD Review, Contemporary Classical, Dance, File Under?

Thomas Adés – Dante (CD/DVD review)

Thomas Adés  Dante Los Angeles Master Chorale, Los Angeles Symphony, Gustavo Dudamel, conductor Nonesuch CD   Thomas Adés The Dante Project London Symphony Chorus, Orchestra of the Royal Opera House, Koen Kessels, conductor Opus Arte Bluray DVD   It takes a certain amount of chutzpah to use Dante as the centerpiece of one’s own creative work. Thomas Adés has courage in spades, as he has created an ambitious  ballet based on the Divine Comedy, for dancers, chorus, and orchestra, commemorating the 700th anniversary of the poet’s death. Two documents of the piece are currently available, a Nonesuch recording of the

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CD Review, Chamber Music, Contemporary Classical, File Under?, Rock

Balmorhea – Pendant World on DG (CD Review)

Balmorhea Pendant World Deutsche-Grammophon   In recent years, Deutsche-Grammophon has been releasing crossover albums incorporating the work of pop/electronic artists, particularly those who sit in the post-rock and ambient pockets. Balmorhea, the band name for the trio Rob Lowe, Michael A. Muller, and Aisha Burns are an ideal grouping for this type of project. Their work has long been influenced by classical music and their arrangements are well wrought. In 2021, their first recording for DG, The Wind, made a strong impression. If anything, their latest for the imprint, Pendant World, is even stronger.    Guests artists from the A-list

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CD Review, File Under?, Pop, Rock

Dear Tick – Emotional Contracts (CD Review)

Deer Tick Emotional Contracts ATO Records   Deer Tick’s first post-pandemic recording, Emotional Contracts (ATO), is produced by veteran Dave Fridmann, who has manned the console for the likes of Sleater-Kinney, The Flaming Lips, and Spoon. It retains many aspects of the sound Deer Tick has developed over the past two decades. A number of the songs are rousing rock anthems with a tinge of alt-country. “If I Try to Leave” falls into this category, but its lyrics chaff against the music’s uplifting demeanor, with the narrator asking how they would cope if they left their life, family and all,

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CD Review, Contemporary Classical, File Under?, Vocals

Annika Socolofsky on New Amsterdam (CD Review)

Annika Socolofsky Don’t Say a Word Latitude 49 New Amsterdam Records   “This unapologetic profession of love and vulnerability is something I have felt denied all my life. And it’s time to reclaim it. These are love songs for the self. These are my feminist rager-lullabies for the new queer era.” – Annika Socolofsky   Composer/vocalist Annika Socolofsky works out a great deal of anger on her New Amsterdam recording Don’t Say a Word. She has described herself growing up as a “queer kid” being ostracized. That treatment has subsequently inspired her to examine all sorts of othering in society,

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CD Review, File Under?, Rock

Deerhoof – Miracle-Level (CD Review)

Deerhoof Miracle-Level Joyful Noise Recordings   At a certain point in their career, many rock bands dread the audience reaction to saying “we’re going to play the new single” from onstage. It suggests that their days of vital music-making have devolved into being among the ranks of nostalgia artists. Deerhoof’s experience is quite different. They keep changing and developing as a band, and their successive releases are acclaimed and eagerly listened to by longtime fans and new listeners alike.   Several things distinguish Deerhoof’s latest Joyful Noise release, Miracle-Level, their nineteenth recording, the first released back in 1997. Improbably, this

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CD Review, File Under?, jazz

Chet Baker – Blue Room (CD Review)

Chet Baker Blue Room: The 1979 Vara Studio Sessions in Holland Jazz Detective 2xCD   A double CD (or limited edition vinyl, if you prefer) set of unreleased sessions from 1979 displays Chet Baker in fine form, both as a trumpeter and vocalist. These recordings were originally made at Vara Studio in Holland for Dutch radio broadcast. Baker is joined on Disc 1 by pianist Phil Markowitz, bassist Jean-Louis Rassinfosse, and drummer Charles Rice; the trio had been touring with him fairly regularly. They provide  impeccable support. A particular standout is Rassinfosse, whose walking lines and soloing are creative contributions.

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CD Review, File Under?, Guitar, jazz

Dominic Miller – Vagabond on ECM Records (CD Review)

Dominic Miller Vagabond Dominic Miller, guitar; Jacob Karlzon, piano, keyboard; Nicolas Fiszman, bass; Ziv Ravitz, drums ECM Records   Vagabond is guitarist Dominic Miller’s third recording for ECM Records. Apart from bassist Nicolas Fiszman, Miller has assembled a new group of collaborators: keyboardist Jacob Karlzon and drummer Ziv Ravitz join him in a quartet setting. Miller composed most of Vagabond’s eight originals while living in the South of France. He has suggested that nature and the small towns and buildings he passes on long walks supply him with inspiration. The guitarist’s Argentinian roots may be a bit further out of

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CD Review, File Under?, Pop

Wila Frank – Black Cloud (CD Review)

Wila Frank Black Cloud Tone Tree Music   Singer-songwriter Wila Frank’s debut LP Black Cloud defies the expectations of a Music City artist. Like a number of musicians who have moved to Nashville in the wake of the city’s big boom, Frank isn’t a country artist. Her work hews closer to indie rock, with fetching quirks that make it distinctive. For instance, there is a repeated sharp fourth that gives the progression in “Oh Fate” an unconventional tinge.   Frank’s singing sometimes adopts a disaffected, even laconic, tone, which makes the soaring climaxes of songs such as “Fire” even more

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CD Review, Contemporary Classical, Dance, File Under?, Piano

Sufjan Stevens – Reflections (CD Review)

Sufjan Stevens – Reflections  Timo Andres, Conor Hanick, piano Asthmatic Kitty   Reflections is a studio version of Sufjan Steven’s sixth collaboration with choreographer Justin Peck. Over the course of his career, Stevens has explored a number of genres: indie rock, electronica, and folk music. His work as a concert music composer shows considerable facility, with idiomatic, indeed virtuosic, writing for piano duo.    The opening track, “Ekstasis” begins the ballet with emphatic, thickly voiced chords and glissandos, followed by brilliant passagework and a briefly inserted swinging melody. Pianists Timo Andres and Conor Hanick are perfect for the challenges posed

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CD Review, early music, File Under?

De Profundis Sings Morales (CD Review)

Morales: Missa Desilde al cavallero, Missa Mille Regretz, Magnificat Primi Toni De Profundis, directed by Eamonn Dougan and Robert Hollingsworth Hyperion Records   Cambridge’s De Profundis has quickly become a go-to ensemble for Spanish vocal repertoire from the Renaissance. An all-male group with a sonorous sound that includes an incomparable bass section (hence the group name), they have released extraordinary recordings of Vivanco, Esquivel, and Ribera. Now De Profundis is turning its attention to Cristobal de Morales (c. 1500-1553), with a projected 12-album project to record his masses and Magnificat settings. The first disc in the collection, released in 2023, 

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