Tag: percussion

BMOP, CDs, Contemporary Classical, File Under?, Orchestras

BMOP Records Galbraith (CD Review)

Nancy Galbraith Everything Flows BMOP Sound Published by Sequenza 21    Nancy Galbraith has taught for a number of years at Carnegie Mellon University in Pittsburgh. During that time, she has created a body of compelling orchestral works. Colorfully scored and post-minimal in approach, Galbraith’s music has received prominent performances but been relatively underserved on recording. As a corrective, Boston Modern Orchestra Project, conducted by Gil Rose, has recorded for BMOPsound three of her concertos, all written in the past eight years.    Violin Concerto No. 1 (2017) was premiered by its soloist here, Alyssa Wang, with the Carnegie Mellon

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CD Review, Contemporary Classical, File Under?, Percussion

Tony Oliver plays James Romig’s Spaces (CD Review)

Spaces James Romig Tony Oliver, vibraphone Sawyer Editions   James Romig’s music has become more expansive. Spaces (2021) is his third recent piece to run over an hour in duration. Still (2016), a piece for pianist Ashlee Mack, was a finalist for the Pulitzer Prize. Last year brought The Complexity of Distance, a piece for metal guitarist Mike Scheidt that was both rigorously constructed and ripped uproariously.    Like all of Romig’s music, Spaces has a highly detailed plan. Each of the four sections of the piece has an “a” and a “b” subgroup. They begin with a collection of

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CD Review, Contemporary Classical, File Under?, Percussion, Performers

Steven Schick – A Hard Rain (CD Review)

Steven Schick A Hard Rain Islandia Music Records   Steven Schick is an extraordinary musician, best known as a percussionist but also a formidable conductor. After decades of performing all of the important solo works of the percussion repertoire, Schick is creating a series of recordings, titled Weather Systems, documenting interpretations built on lifelong study. The first, A Hard Rain, includes works by the experimental and serial wings of American music, European modernists, and a tour-de-force rendition of Kurt Schwitters’ Ursonata (1932).    The double disc recording begins with 27’10.554” for a percussionist (1956), a nearly half hour long piece

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CDs, Composers, Contemporary Classical, Deaths, Experimental Music, File Under?

George Crumb (1929-2022)

We are saddened to learn of the loss of George Crumb, who passed away on February 6, 2022 at the age of 92. A winner of the Pulitzer Prize, the composer was one of the most important musical figures of his generation, both as a creator and, for many years, as a professor at University of Pennsylvania. Considered by his students to be a supportive and gifted teacher, he mentored a number of composers who went on to major careers.   Crumb composed a large catalog of works, and many of them have become touchstones of the contemporary repertoire.  The

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CD Review, Electro-Acoustic, File Under?

Best of 2021: Electronic

  Supermundane  John Thayer Self-released   Far In Helado Negro 4AD   Weightless (10 hour version) Signals Marconi Union Just Music   Changing Landscapes (Isle of Eigg) Arthur King AKP   Fast Idol Black Marble Sacred Bones     Ookii Gekkou Vanishing Twin Fire Records   John Thayer is a musician who wears many hats: composer, audio engineer, sound artist, and percussionist. He has played with a host of new music performers, including Zeena Parkins, Daniel Carter, Fred Lonberg-Holm, Kato Hideki, Ezra Feinberg, Arp, Robbie Lee,  Jeff Tobias, and Jim Pugliese. It is his work with Arp that is likely

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Classical Music, Composers, Concert review, Concerts, Contemporary Classical, New York, Percussion, Performers

Unlocking The Cage with Iktus Percussion and Friends

Le Poisson Rouge is a striking place. This venue was the location of this past Sunday’s concert featuring Iktus Percussion (Cory Bracken, Chris Graham, Nicholas Woodbury, and Steve Sehman), pianist Taka Kigawa, and toy pianist Phyllis Chen. According to Iktus member Cory Bracken, one of the missions of the evening (focused entirely around composer John Cage) was to take some of his pieces that are almost exclusively performed in academic settings, and begin to inject them into the public concert repertoire. What the audience encountered, therefore, was a healthy mix of both often and not-so-often performed pieces by John Cage.

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Concert review, Concerts, Contemporary Classical, Experimental Music, Festivals, Ojai, Percussion, Photos, Post Modern, Premieres

The West Coast premiere of Inuksuit at the 2012 Ojai Music Festival

They say a picture is worth a 1000 words, so consider this photo album a 26,000 word review until I file my story. Inuksuit was one of the most extraordinary pieces of music I’ve heard since–well, John Luther Adams’ orchestra and tape work, Dark Waves. (On Sunday, we’ll hear JLA’s two-piano version of Dark Waves.) Do read Paul Muller’s account of this concert and Thursday evening’s concert. To give you some idea of what the performance was like, here are some crude videos I made on my not-designed-for-filming camera. The mike on the camera did a reasonable job of capturing

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Bang on a Can, Composers, Contemporary Classical, Experimental Music, Performers

Andy Akiho: An Interview

Andy Akiho may have started out as a performer only, but his heart has driven him to become not only a wonderful composer in his own right, but a composer/performer that creates some of the most wonderful and compelling sounding pieces combining steel pans with a variety of instruments from other great new classical musicians. Having studied composition with such greats as Julia Wolfe, David Lang, Ezra Laderman, and Martin Bresnick among others, Akiho had just recently won eighth blackbird’s inaugural Finale National Composition Contest. Andy talked to me about that and some of my favorite works of his.

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Concerts, Contemporary Classical, Experimental Music, New York

Amy X Neuburg/Cory Smythe at Roulette: A Preview

On Tuesday, December 13, Bay-area artist Amy X Neuburg will collaborate for one-night only with NY-based pianist/composer Cory Smythe at Brooklyn’s Roulette on Atlantic Ave. Neuburg’s brand of music, which has been dubbed “avant-cabaret”, promises to be an interesting blend with Smythe’s improvisational work as they will play a majority of the evening together, as well as some portions solo. AMY X NEUBURG Amy told us recently in an interview what to look forward to in this unique show: We’re each performing a few solo songs, but the bulk of the evening will be brand new and collaborative. Much of

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