Marga Richter by Sharon Mirchandani American composer and pianist Marga Richter died peacefully of natural causes at her new home in Barnegat, NJ on June 25, 2020. She had lived on Long Island for many years prior, regularly spending summers in Vermont. Born in Reedsburg, Wisconsin and raised in Robbinsdale, Minnesota, she was the first woman to graduate with a master’s degree in composition from Juilliard in 1951 where she studied piano with Rosalyn Tureck and composition with William Bergsma and Vincent Persichetti. She was one of few women composers to have her orchestral works performed by major orchestras, and
Read moreOn October 25th, the recording Composers at Westminster (WCC19109) will be released via digital platforms. The program notes are below. “Composers at Westminster” The five composers featured on this recording are full-time members of the composition faculty at Westminster Choir College in Princeton, New Jersey. The programmed selections display a range of musical styles and works for different forces: three of the college’s choirs as well as voice faculty, pianists, and visiting string artists. Stefan Young is not only a composer but an estimable pianist. He performs some of his own piano pieces from a musical diary called Thoughts for
Read moreMario Davidovsky (March 4, 1934 – August 23, 2019) Mario Davidovsky, composer, teacher, and winner of a Pulitzer Prize in 1971 for his Synchronisms No. 6 for piano and electronic sounds, passed away peacefully last Friday at his home on Manhattan’s Upper West Side at the age of 85. The cause of death was heart failure. Davidovsky was a pioneering figure in the burgeoning electronic music scene of the 1960s and 70s, and his pathbreaking work in combining live instrumentalists with prerecorded electronic sounds revealed exciting new possibilities in the realms of articulation, timbre, velocity, and expression. It could truly
Read moreIn these days of swiping right and hooking up, having a long-term commitment is something special. So when the Orchestra of St. Luke’s founded the Robert DeGaetano Composition Institute with plans to carry on for 15 years, that is cause for celebration. RDCI is funded by the estate of the Juilliard-trained pianist and composer Robert DeGaetano, who passed away in 2015. Each year until 2033, four composers at the beginning of their career will be selected for the Institute. They’re given one-on-one guidance and instruction from a mentor composer (Anna Clyne in 2019) for several months, a week-long residency in
Read moreErika Fox Paths Goldsfield Ensemble, Richard Baker, conductor NMC Recordings Once one hears Paths, the octogenarian Erika Fox’s first CD, their first reaction may mirror mine: one of incredulity. How is it possible that a composer this talented with such a distinctive and assured musical voice had to wait so long for a monograph recording? To their credit, NMC has been a strong advocate of female composers for a number of years; I’ve recently been enjoying their recordings of Elizabeth Lutyens’s music. Thank goodness they have partnered with the Goldfield Ensemble to present Fox’s work while she is still alive to
Read moreOn Saturday June 1st at Miller Theatre at 7:30 PM, Louis Karchin and David Fulmer will lead the Orchestra of the League of Composers in a program of contemporary works, including two premieres. Karchin’s premiered work is Four Songs on Poems by Seamus Heaney, performed by soprano Heather Buck. Since I heard her in the title role of Charles Wuorinen’s opera Haroun and the Sea of Stories, I have been a great admirer of Buck’s singing . Heaney’s poetry is another touchstone, making this work one I am particularly keen to hear. Friedrich Heinrich Kern will perform his commissioned piece for glass harmonica and orchestra with the ensemble.
Read moreOn Wednesday May 8th, Urban Playground Chamber Orchestra presents the New York premiere of Florence Price’s Violin Concerto No. 2, music by Harry T. Burleigh, and a rarely heard oratorio, And They Lynched Him on a Tree, by William Grant Still. The program, titled From Song Came Symphony. fits the ensemble’s mandate to prioritize the performance of composers who are women and people of color. It focuses on the legacy of Burleigh. I recently caught up with UPCO’s conductor Thomas Cunningham, who told me more about the concert. Cunningham says, ”I found programmatic inspiration in Jay-Z lyrics: Rosa Parks
Read moreSeattle Symphony’s [untitled] series was inaugurated in 2012 by its then-new Music Director, Ludovic Morlot. Three Fridays a year, small groupings of Symphony and visiting musicians set up in the Grand Lobby outside the orchestra’s main Benaroya Hall venue for a late night of contemporary music. This year’s series has been devoted to the European avant-garde, starting with Hans Abrahamsen’s Schnee in October and continuing this past March 22 with two landmarks of Darmstadt serialism: Berio’s Circles and Boulez’s sur Incises. The latter performance, which featured Morlot conducting the work’s regional premiere, offered an opportunity to contemplate the legacies of
Read moreBest of 2018 – Orchestral CDs In ictu oculi Kenneth Hesketh BBC Orchestra of Wales, conducted by Christoph Mathias Mueller Paladino Three large orchestra works by British composer Kenneth Hesketh are attractively scored in multifaceted, often muscular, fashion. Hesketh’s unabashed exploration of emotionality, imbued with strongly etched motives and intricate formal designs, provides a cathartic journey for listeners. Sur Incises Pierre Boulez The Boulez Ensemble, conducted by Daniel Barenboim Deutsche-Grammophon There is a previous, much vaunted, studio recording of Pierre Boulez’s composition Sur Incises (1998), one of the composer’s most highly regarded late works (in the
Read moreBest of 2018: Composer Portrait CDs 2018 saw the release of a bevy of excellent recordings of music by contemporary composers. These were the portrait CDs that most frequently captivated my ear and captured my CD player. Ipsa Dixit Kate Soper Wet Ink Ensemble (Erin Lesser, flute; Ian Antonio, percussion; Josh Modney, violin) New World Records Composer and vocalist Kate Soper spent from 2010-’16 creating the multi-movement theatre piece Ipsa Dixit. Working in close collaboration with Wet Ink Ensemble, she has crafted a composition in which theatricality encompasses multiple texts – ranging from Aristotle to Lydia Davis –
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