Sequenza 21 – Best of 2021 Olivier Messiaen Vingt regards sur l’enfant-Jésus Alfonso Gómez, piano Kairos CD In 1944, Olivier Messiaen wrote a recital length work (about 2 hours in duration) for pianist Yvonne Loriod, one of his proteges and, later, his spouse. Vingt regard sur l’enfant-Jésus (“Twenty Visions of the Infant Jesus”) widely encompasses the techniques of Messiaen’s musical language and epitomizes the importance of religious contemplation and corresponding symbolism in his work. Where some Christmas music takes a sentimental approach to regarding the infant Jesus, there is none of that here. Instead, Vingt regards explores the
Read moreBest of 2021: Varèse, Ligeti, Lutosławski, Baldini on Centaur Varèse, Ligeti, Lutosławski, Baldini Munich Radio Orchestra; UC Davis Symphony Orchestra Miranda Cuckson, violin; Maximilian Haft, violin Christian Baldini, conductor Centaur Records CD/DL Conductor and composer Christian Baldini is making a name for himself on the West Coast, where he directs the UC Davis Orchestra and is a frequent guest conductor of the San Francisco Symphony, as well as abroad with a number of orchestras and opera companies. This Centaur CD features live performances of three pivotal European modernist works, as well as a piece by Baldini that negotiates similar
Read moreBest of 2021 Andrew Cyrille Quartet The News ECM Records David Virelles, piano; Bill Frisell, guitar; Ben Street, bass; Andrew Cyrille, drums and percussion Andrew Cyrille is now an octogenarian, an age at which many musicians have already retired or are slowing down. Cyrille retains a superlative technique and while his latest quartet outing for ECM, The News, emphasizes interplay and texture over power, it is clear that there is much of that yet remaining in the drummer’s arsenal as well. Cyrille is credited with three of the compositions on The News. The title track was originally a
Read moreAnna Thorvaldsdottir Enigma EP Spektral Quartet Clara Lyon, Maeve Feinberg, violin; Doyle Armbrust, viola; Russell Rolen, cello Sono Luminus CD, 2021 Enigma, the first string quartet by Icelandic composer Anna Thorvaldsdottir, arrives after a spate of engaging chamber works that have often featured strings, but never in this most traditional configuration. The piece has essentially two very different experiences to offer to the listener. The one considered here is a well engineered CD recording with detailed antiphony that gives a sense of the spatial dimensions of Enigma’s live incarnation, a multimedia work in a 360 degree full-dome theater space,
Read moreBernhard Lang Piano Music Wolfram Oettl, piano Kairos Music CD Bernhard Lang (b. 1957) writes in a number of different media, from chamber music to theatre works. His solo piano music is reflective of the composer’s omnivorous interest in various musical styles and his adroit sense of scoring, which allows the piano to have an orchestral impact in the two multi-movement works on his latest Kairos CD. In liner notes for the CD, Lang remarks that he is interested in free improvisation and DJ electronica as well as contemporary concert music. One can hear this in the angular
Read moreNite Jewel No Sun Gloriette LP/DL How closely does art imitate life and vice versa? It is a question that has been debated since antiquity. Ramona Gonzalez, who records as Nite Jewel, provides an offering that serves to revive the debate. Nite Jewel has released No Sun, her first full length in four years, on her own imprint, Gloriette. It explores mourning and loss. Not so coincidentally, Gonzalez is researching those same themes in her graduate work in musicology at UCLA: women performing mourning songs and rituals. Another wrinkle is that Gonzalez has reason for grief in her own
Read moreSivan Silver-Swartz Untitled 6 Wandelweiser CD EWR 1920 Nigel Dean, violin; Patrick Behnke, Tanner Pfeiffer, viola; Tal Katz, Julian Tedaldi, cello Antoine Beuger Jankélévich Sextets Another Timbre CD at168 Apartment House – James Opstad, double bass; Mark Knoop, accordion; Heather Roche, bass clarinet; Mira Benjamin, violin; Joe Qiu, bassoon; Bridget Carey, viola At twenty-eight years of age, Sivan Silver-Swartz is the youngest member of the Wandelweiser collective. A native of Ohio, he received his undergraduate degree at Oberlin College and then relocated to California to get his Master’s at CalArts. He has remained in Los Angeles since getting
Read moreCity of Tomorrow Blow New Focus Records The City of Tomorrow is a woodwind quintet dedicated to 20/21 music, particularly compositions that explore environmental themes. They first convened to play the title work on this recording. Blow, by Franco Donatoni, is a tour de force for woodwinds. In addition to the obvious association with embouchures, the piece also explores the qualities of wind, from a soothing breeze to gusts to gale force. The use of counterpoint in polyrhythms reminds one of the formidable craft Donatoni possessed – and expected of the musicians who play Blow. The confluence of “wind
Read moreCantus Manifesto Signum Classics The all-male vocal ensemble Cantus’s first full length recording in seven years, Manifesto, features pieces, all in world premiere recordings, that explore relationships and identity. The title work is a piece by David Lang, the text taken from answers to a Google Search auto-complete list of the query “I want to be with someone who…” It was originally commissioned by Cantus for a program titled “The Four Loves.” Lang’s piece signifies romantic love and is written in a minimal style, the textual repetitions being a hallmark of his approach. “If I Profane,” by Libby Larsen,
Read moreMy Tree Where the Grace Is Self-released, 2021 The duo My Tree consists of vocalist Caroline Davis and multi-instrumentalist Ben ‘Jamal’ Hoffmann. Davis is best known as a jazz saxophonist and flutist, but on My Tree’s latest recording, Where the Grace Is, she demonstrates an attractive voice comfortable in a hybrid blend of musical styles. These encompass funk and fusion from the seventies and more recent electronic pop. Hoffmann favors vintage gear, including analog synths and a Linn drum machine. He crafts intricate and memorable arrangements and demonstrates keen versatility. Davis’s supple singing serves well the uplifting songs
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