Choral Music, Classical Music, Commissions, Composers, Concerts, Conductors, Contemporary Classical, New York, Premieres, Women composers

New York Virtuoso Singers Presents 25th Anniversary Season Concert on March 3 at Kaufman Center’s Merkin Concert Hall, Featuring World Premieres of 13 Works by Major American Composers

The New York Virtuoso Singers, Harold Rosenbaum, Conductor and Artistic Director, will present the third concert of their 25th Anniversary season on Sunday, March 3, 2013 at 3:00 PM at Kaufman Center’s Merkin Concert Hall, 129 West 67th St. (btw Broadway and Amsterdam) in Manhattan. This event, co-sponsored by Merkin Concert Hall, marks NYVS’s return to the venue where they presented their first concert in 1988. To celebrate their 25th Anniversary, Harold Rosenbaum and the NYVS asked 25 of this country’s most important composers to create new works. The March 3 concert will feature World Premieres of 13 of these

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Composers, Concert review, Contemporary Classical, Festivals

A Flash Flood Between the Mountains and The Deep Blue Sea

[Ed. note: Kurt Rohde, Professor of Composition at the University of California at Davis, sent us this report on the recent Music and The Art of Migration Festival there. The weeklong series of events combined a number of approaches to the concept and practice of migration across the arts, with an emphasis on music.] Sometimes it feels like new music has a way of finding places to collect, gather and pool. Not surprisingly, a number of important US cities (LA, NY, Chicago, etc.) have traditionally been the gravitational centers around which everything else orbits. In our current culture of immediacy

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Commissions, Competitions, Composers, Concerts, Contemporary Classical

New music by young composers in Missouri

Continuing their collaborative efforts to spotlight the work of Missouri composers, the Columbia Civic Orchestra and the Mizzou New Music Initiative  have announced the selection of two orchestral works written by Missouri residents to be performed by the CCO at a concert in March. The two winning pieces were chosen in a statewide competition conducted under the auspices of the Missouri Composers Orchestra Project. The winners will receive a $500 honorarium from MOCOP’s sponsor, the Sinquefield Charitable Foundation. The work chosen in the Open category is Ravish and Mayhem by Stephanie Berg, a native of Parkville who earned her master’s degree

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Cello, Chamber Music, Classical Music, Composers, Concerts, Contemporary Classical, Houston, Piano, Strings, Violin

The Gryphon Trio Bridge Musical And Artistic Genres

(Houston, TX) Next week here in Houston, contemporary music rears its terrifying head in the form of Canada’s Gryphon Trio on two very different concerts presented by the Houston Friends of Chamber Music. On Sunday, February 10, the Trio and special guest soprano Patricia O’Callaghan present and evening of contemporary cabaret music in support of their recent CD collaboration Broken Hearts and Madmen, which includes stunning arrangements of songs by Laurie Anderson, Leonard Cohen, Nick Drake, Astor Piazzolla, and Elvis Costello. On Tuesday, February 12, the Trio performs a program of piano trio music at Rice University, including contemporary works

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CDs, Contemporary Classical, Experimental Music, Houston, Improv, jazz, Recordings, Review

Metal Meets Jazz Meets Free Improvisation: Houston’s The Core Trio Makes Musical Alchemy

(Houston, TX) The music of the Houston ensemble The Core Trio, featuring Richard Cholakian on drums, Thomas Helton on upright bass, and Seth Paynter on saxophones, is an utterly convincing amalgamation of jazz, free improvisation, heavy metal, electronic sounds, and music from across the Asian continent. Their repertoire includes compositions by Helton and Paynter, as well as arrangements of songs by Ozzy Osbourne and Ronnie James Dio. They often invite guest musicians to join them in performance, including trumpet players Kris Tiner and Tim Hagans, myself on laptop, and pianist Robert Boston. This Friday, Boston, saxophonists Warren Sneed and Martin

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Chamber Music, Classical Music, Composers, Concerts, Contemporary Classical, Downtown, Music Events, New York, Performers, Premieres

Le Train Bleu in Concert on February 6 at DROM in New York City – World Premiere of Seven Stories by Lawrence Dillon and Works by Thomas Ades, Matt Marks and Eric Nathan Also Presented

Le Train Bleu, conducted by Ransom Wilson, will present Toy Stories, a concert on Wednesday, February 6 – 7:00 PM at DROM, 85 Avenue A (between 5th and 6th) in New York, N.Y. The evening will feature the World Premiere of Lawrence Dillon’s Seven Stories for soprano and eight instruments. The piece was composed to an original text. The composer writes, “A stuffed animal falls from an apartment window. As it falls, it peers into each passing window, trying to create stories from what it sees.” Read his recent blog post about it at https://www.sequenza21.com/dillon/?p=1962. The new work will be

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Broadcast, Composers, Contemporary Classical, Radio

The End of “Classical Discoveries Goes Avant-Garde”

For years now, long-time WPRB radio host Marvin Rosen has brought the world (though it’s in Princeton, New Jersey, it also streams live over the web) all manner of “Classical Discoveries” every Wednesday from 5:30 to 11 AM ET. But from 11 AM until 1 PM “Classical Discoveries” switched gears to become “Classical Discoveries Goes Avant-Garde“, serving up the newest — and often by radio standards, the “difficult” — works to an enthusiastic audience eager to hear what’s going on today in contemporary classical music. Often there were also interviews with established and up-and-coming composers and performers as well. The broadcast landscape

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Classical Music, Composers, Contemporary Classical, Houston, Piano, Recordings, Review

Classical and Prog-Rock Collide on Pianist and Composer Kris Becker’s New Album “Expansions”

(Houston, TX) “Ah! Expression!” That’s the first thing that came out of my mouth when I cued up and heard “Elegy,” the poignant, yet unsentimental first track on Houston-based pianist and composer Kris Becker’s new recording Expansions. Becker is a classically trained pianist and composer with a passion for both 19th century and prog-rock piano and a compositional vision well served by his formidable technique. Like the song says, “Oh, yeah! The boy can play!” But it’s the range of expression in Becker’s playing and writing that ultimately resonates with me. Real quick, let me explain the name thing. Kris

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Composers, Concerts, Contemporary Classical, Dance, Electro-Acoustic, Experimental Music, Flute, Houston, Improv, Women composers

Flutist Michelle Yom’s FALKOR

(Houston, TX) This Sunday, Houston-based flutist, composer, and improviser Michelle Yom presents FALKOR, an interactive music and dance composition featuring Yom on flute and four dancers, Kriten Frankiewicz, Erin Reck, Leslie Scates, and Sophia Torres. FALKOR utilizes video motion tracking and a wireless system triggering audio samples based on the colors of the costumes worn by the dancers as well as their movements. FALKOR takes place at Studio 101 as part of the ongoing electronic music series Brave New Waves. Fantasy film fans (not to mention fans of 1980s pop music) will no doubt recognize the name Falkor (i.e. Falkor

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Concerts, Contemporary Classical, File Under?, New York

Friday: Miranda at Mannes

It is no secret that violinist, violist, and sometime vocalist Miranda Cuckson is one of File Under ?’s favorite contemporary music performers on the New York scene. An excerpt of her recent Nono recording can be heard on our December Mix (see embed below). Miranda has started a new non-profit music presenting organization called nunc. On Friday at Mannes College of Music, nunc has its maiden voyage. Miranda is joined on an 8 pm concert by mandolinist Joseph Brent, percussionist Alex Lipowski, bassoonist Adrian Morejon, mezzo Mary Nessinger, and pianists Matei Varga and Ning Yu. The program includes music by Michael Hersch, Charles Wuorinen, Iannis Xenakis, Georges Aperghis, Sofia Gubaidulina, and more. You can read read Miranda’s program notes here. Admission is free.

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