CD Review, Contemporary Classical, Dance, File Under?

Thomas Adés – Dante (CD/DVD review)

Thomas Adés  Dante Los Angeles Master Chorale, Los Angeles Symphony, Gustavo Dudamel, conductor Nonesuch CD   Thomas Adés The Dante Project London Symphony Chorus, Orchestra of the Royal Opera House, Koen Kessels, conductor Opus Arte Bluray DVD   It takes a certain amount of chutzpah to use Dante as the centerpiece of one’s own creative work. Thomas Adés has courage in spades, as he has created an ambitious  ballet based on the Divine Comedy, for dancers, chorus, and orchestra, commemorating the 700th anniversary of the poet’s death. Two documents of the piece are currently available, a Nonesuch recording of the

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CD Review, Chamber Music, Contemporary Classical, File Under?, Rock

Balmorhea – Pendant World on DG (CD Review)

Balmorhea Pendant World Deutsche-Grammophon   In recent years, Deutsche-Grammophon has been releasing crossover albums incorporating the work of pop/electronic artists, particularly those who sit in the post-rock and ambient pockets. Balmorhea, the band name for the trio Rob Lowe, Michael A. Muller, and Aisha Burns are an ideal grouping for this type of project. Their work has long been influenced by classical music and their arrangements are well wrought. In 2021, their first recording for DG, The Wind, made a strong impression. If anything, their latest for the imprint, Pendant World, is even stronger.    Guests artists from the A-list

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CD Review, File Under?, Pop, Rock

Dear Tick – Emotional Contracts (CD Review)

Deer Tick Emotional Contracts ATO Records   Deer Tick’s first post-pandemic recording, Emotional Contracts (ATO), is produced by veteran Dave Fridmann, who has manned the console for the likes of Sleater-Kinney, The Flaming Lips, and Spoon. It retains many aspects of the sound Deer Tick has developed over the past two decades. A number of the songs are rousing rock anthems with a tinge of alt-country. “If I Try to Leave” falls into this category, but its lyrics chaff against the music’s uplifting demeanor, with the narrator asking how they would cope if they left their life, family and all,

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Contemporary Classical

Joe Hisaishi: A Symphonic Celebration

Many people’s first exposure to the world of Studio Ghibli and its star director, Hayao Miyazaki, was My Neighbor Totoro. For me, it was Laputa: Castle in the Sky. I will never forget my reaction to the opening sequence, during which Sheeta, the sole living heiress of the eponymous all-but-forgotten realm, falls from an airship. As she hurtles toward the earth below, eyes closed as if resigned to this tragic fate, her crystal necklace begins to glow, imbuing enough power in its slender cord to bring her to the softest of landings into the arms of protagonist Pazu. Nothing prepared

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CD Review, Contemporary Classical, File Under?

Timothy Schwarz – The Living American (CD Review)

  Timothy Schwarz The Living American Albany Records   Violinist Timothy Schwarz has commissioned, performed, and recorded a number of pieces by contemporary composers. His latest release on Albany, The Living American, is a collection of recent pieces by American composers.    Schwarz takes a “melting pot” approach to his program. It opens with the solo Fantasy on Lama Badaa yatsana,  written by Stephen Sametz, which explores alternate scales with frequent double-stops and harmonics alongside virtuosic melodic writing. Pianist Charles Abramovic joins Schwarz on a set of pieces by musical theater composer Joseph Goodrich. Indeed, C-minor Jam leans much closer

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CD Review, Chamber Music, File Under?, Strings

Danish String Quartet – Prism V (CD Review)

Danish String Quartet Prism V ECM Records   This is the last outing in Danish String Quartet’s Prism series. Each of the five recordings has included a late Beethoven string quartet, a related Bach fugue, and a later work influenced by Beethoven. Prism V’s program begins with “Vor deinen Thron tret’ich,” Bach’s chorale prelude BWV 668, arranged for string quartet. It also includes “Contrapunctus 14” from Bach’s Art of Fugue, Anton Webern’s String Quartet (1905), and Beethoven’s String Quartet in F Major, Op. 135.   The performance of the chorale prelude is beautiful, played with expressive tone and ardent phrasing,

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Concert review, Contemporary Classical, Just Intonation, Los Angeles, Microtonalism

PARTCH Ensemble at REDCAT – The Wayward

On June 16 -17, 2023, the Grammy Award-winning PARTCH Ensemble presented two performances of The Wayward, a concert of music by Harry Partch. The Roy and Edna Disney CalArts Theater – REDCAT – was completely sold out for both nights, a testament to the great popularity of Partch’s music. The stage was filled with exotic Partch instruments: the Adapted Viola, Kithera I, Bass and Diamond Marimbas, the Chromelodeon, the Castor and Pollux Canons, among others. All of the most popular Partch pieces were in the program as well as some of those lesser performed. The program notes quoted Harry Partch,

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CD Review, Contemporary Classical, File Under?, Vocals

Annika Socolofsky on New Amsterdam (CD Review)

Annika Socolofsky Don’t Say a Word Latitude 49 New Amsterdam Records   “This unapologetic profession of love and vulnerability is something I have felt denied all my life. And it’s time to reclaim it. These are love songs for the self. These are my feminist rager-lullabies for the new queer era.” – Annika Socolofsky   Composer/vocalist Annika Socolofsky works out a great deal of anger on her New Amsterdam recording Don’t Say a Word. She has described herself growing up as a “queer kid” being ostracized. That treatment has subsequently inspired her to examine all sorts of othering in society,

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CD Review, File Under?, Rock

Deerhoof – Miracle-Level (CD Review)

Deerhoof Miracle-Level Joyful Noise Recordings   At a certain point in their career, many rock bands dread the audience reaction to saying “we’re going to play the new single” from onstage. It suggests that their days of vital music-making have devolved into being among the ranks of nostalgia artists. Deerhoof’s experience is quite different. They keep changing and developing as a band, and their successive releases are acclaimed and eagerly listened to by longtime fans and new listeners alike.   Several things distinguish Deerhoof’s latest Joyful Noise release, Miracle-Level, their nineteenth recording, the first released back in 1997. Improbably, this

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Concert review, Contemporary Classical, Festivals, Los Angeles, Ojai

Ojai Music Festival 2023 – Saturday Morning Concerts

The Saturday morning concert at the 2023 Ojai Music Festival was titled The Willows Are New and featured the work of contemporary Asian composers. This was inspired by the centennial next month of the birth of Chou Wen-Chung, whose influence is strongly felt even as he is largely unknown outside of Asian musical circles. The concert program consisted of four pieces, two from Chinese and two from the Persian/Iranian traditions. The music presented in this program reflects the on-going efforts of composers to synthesize contemporary musical sensibilities with long-standing cultural influences. The first piece was Veiled, by Niloufar Nourbakhsh, and

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