CD Review, Contemporary Classical, File Under?, Percussion

Tony Oliver plays James Romig’s Spaces (CD Review)

Spaces James Romig Tony Oliver, vibraphone Sawyer Editions   James Romig’s music has become more expansive. Spaces (2021) is his third recent piece to run over an hour in duration. Still (2016), a piece for pianist Ashlee Mack, was a finalist for the Pulitzer Prize. Last year brought The Complexity of Distance, a piece for metal guitarist Mike Scheidt that was both rigorously constructed and ripped uproariously.    Like all of Romig’s music, Spaces has a highly detailed plan. Each of the four sections of the piece has an “a” and a “b” subgroup. They begin with a collection of

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CD Review, Contemporary Classical, File Under?

Anthony Cheung on Kairos (CD Review)

Anthony Cheung Music for Film, Sculpture, and Captions Ueli Wiget, piano, Ensemble Modern, Franck Ollu, conductor; Ensemble dal Niente, Michael Lewanski, conductor; Ensemble Musikfabrik, Elena Schwarz, conductor Kairos Music   Anthony Cheung is a prolific composer whose music is situated astride spectralism and second modernity. This is his fifth portrait CD, his first for Kairos, and first of music that accompanies extra musical media. While these sources of inspiration are pivotal components for the music’s genesis, it stands on its own as an audio recording. The works are performed by three top flight groups, Ensemble Modern, conducted by Franck Ollu

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Choral Music, File Under?, News

Statement from King’s Singers on Concert Cancellation

  Last week, Pensacola Christian College cancelled the King’s Singers on short notice due to concerns about some of the members’ sexuality. The ensemble has provided an eloquent rejoinder (see above) and in the spirit of joy conquering hate, shared the first single off of their latest album, When You Wish Upon a Star: One Hundred Years of Disney Songs.     

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CD Review, Chamber Music, Classical Music, Contemporary Classical, File Under?

Renaud Capuçon and Martha Argerich on DG (CD Review)

Beethoven, Schumann, Franck Renaud Capuçon, violin; Martha Argerich, piano Deutsche Grammophon   Three violin sonatas by great nineteenth century composers, all in A, grace this recording by violinist Renaud Capuçon and pianist Martha Argerich. Longtime collaborators, the duo sound seamless in these performances. They create detailed renditions, faithful to the scores but keen to put their own stamp on the pieces.   The first movement of the Schumann exemplifies this approach, with the performers digging into the main theme and unspinning  legato lines in its development, the tempo treated flexibly. In the second movement, an Allegretto of considerable delicacy, Capuçon

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Concert review, Contemporary Classical, Experimental Music, Los Angeles

Southland Ensemble – James Tenney

After almost three years on hiatus due to the covid pandemic, the Southland Ensemble returned to the concert stage on February 3, 2023 to perform Harmonium, experimental music composed by James Tenney. The venue was Frankie, a large studio building deep in the heart of the warehouse district in Boyle Heights. The Southland Ensemble is known for performing historically significant music. In selecting works by James Tenney for this concert, they gave voice to perhaps the most influential West Coast composer of the last 30 years. Three pieces, averaging about 20 minutes each, provided a full hour of pioneering harmonies

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CD Review, early music, File Under?

Marian Consort Sings Motets by Lusitano (CD Review)

Vicente Lusitano Motets The Marian Consort Rory McCleery, director Linn Records   Congratulations to Sequenza 21 contributor Garrett Schumann for his first article in the New York Times, about sixteenth century composer Vicente Lusitano. Along with colleagues, Schumann has researched the background of Lusitano, who was active in  Portugal until sometime after 1561. A document, albeit one with some chronological distance from his death, labels Lusitano as a “pardo,” a person of African descent. This alone might seem circumstantial, but Schumann cites other, more contemporaneous, evidence about liturgical and cultural practices that support this theory. Our conception of Renaissance composers

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CD Review, File Under?, jazz, Piano, Pop

Brad Mehldau Plays the Beatles (CD Review)

  Your Mother Should Know: Brad Mehldau Plays the Beatles Brad Mehldau Nonesuch Records   Pianist Brad Mehldau is a chameleon-like figure, able to play music in many styles and a creative composer. He excels at finding new standards, recent pop songs that benefit from jazz treatment. The Beatles’s songbook is among the most durable in the pop canon, having endured numerous revisionings, some inspired and, sadly, some insipid. Your Mother Should Know: Brad Mehldau Plays the Beatles is strongly inspired.    A live recording that consists of ten Beatles songs and a David Bowie encore (“Life on Mars”), the

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CD Review, Contemporary Classical, Minimalism

Michael Byron – Halcyon Days

On February 10, 2023, Cold Blue Music released Halcyon Days, a new album of music by composer Michael Byron. The CD consists of percussion and keyboard pieces that date from early in Byron’s career providing new insight into the beginnings and development of his brilliantly original style. The performers on the album include Vicki Ray and Aron Kallay, two of the top new music pianists in Los Angeles. The legendary William Winant and his versatile percussion group are also heard on this CD. The material dates from 1972 to 1978 and also includes one recent work from 2016, performed by

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CD Review, Contemporary Classical, Electro-Acoustic, File Under?, Minimalism

Mivos Quartet Plays Steve Reich (CD Review)

Steve Reich: The String Quartets Mivos Quartet Deutsche Grammophon   Steve Reich wrote his three string quartets for the Kronos Quartet, who have premiered, recorded (for Nonesuch), and continued to champion them. With Kronos still active, why does another quartet record these pieces? Mivos Quartet makes a strong case that there is room for other interpretations of Reich’s string quartets.   I remember well being at the Carnegie Hall premiere of Steve Reich’s piece for string quartet and multimedia WTC 9/11, performed by Kronos Quartet. Its incorporation of sound recordings, a dead phone line, air traffic controllers, and those trying

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CD Review, File Under?, jazz

The Clarinet Trio on Leo (CD Review)

The Clarinet Trio Transformations and Further Passages Jürgen Kupke, clarinet; Michael Thieke, alto clarinet, clarinet; Gebhard Ullmann, bass clarinet Leo Records LR 921   Gebhard Ullmann is celebrating his sixty-fifth birthday with the release of three albums, Transformations and Further Passages on Leo among them. The Clarinet Trio are a superb group of improvisers, Jürgen Kupke and Michael Thieke are eloquent foils for Ullmann. Unlike some other Ullmann outings, where he clearly leads the proceedings, this is a context in which everyone collaborates and gets to take solo turns. In fact, three of the tracks are solos, one for each

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