Molly Tuttle and Golden Highway Crooked Tree Nonesuch Songwriter, vocalist, and guitarist Molly Tuttle makes her Nonesuch debut with Crooked Tree. Co-produced with dobro virtuoso Jerry Douglas, the release includes a number of prominent traditional musicians as collaborators and focuses on Tuttle’s connections to bluegrass and roots music. Previous releases have seen Tuttle sit astride pop and bluegrass, and while Crooked Tree emphasizes the latter, the memorability and single-worthy character of many of its songs reminds us that she is a versatile and formidable talent. Tuttle plays guitar in a flat-picking style and at turns plays nimble lead
Read moreWolfgang Rihm Jagden und Formen Bavarian Radio Orchestra, Franck Ollu, conductor BR-Klassik CD Wolfgang Rihm’s hour long orchestra work Jagden und Formen (2008) has its roots in an earlier work, some fifteen minutes long, from 1996, dedicated to Helmut Lachenmann on his sixtieth birthday. The piece ultimately morphed and expanded into the version recorded here. There is precedence for this in postwar Europe, particularly in several of the works of Pierre Boulez, which remained in progress and perpetually expanding throughout his lifetime. In his program note, Rihm says that the piece will henceforth likely remain in its current form.
Read moreInterialcell Aleksandra Gryka Florian Müller, harpsichord; Klangforum Wien, Joseph Kalitzke, conductor Kairos CD Klangforum Wien is undertaking a series of portrait recordings on Kairos of Polish composers. The first solo CD of music by Aleksandra Gyrka (b. 1977), Interialcell, is an impressive introduction to this composer. Consisting of ensemble pieces written from 2003 to 2015, Interialcell provides a sense of the maturation of an already talented composer in her late twenties to work that takes on successively more intricate materials and formal designs in her thirties. Regarding the impetus for her music, Gryka is fairly secretive. The hard
Read moreLiving Earth Show and Danny Clay Music for Hard Times Self-released CD It is fair to say that recent times have been hard on nearly everyone. Living Earth Show decided to create an interdisciplinary project, “Music for Hard Times,” to provide a source of musical comfort. They collaborated on the project with composer and music educator Danny Clay, who created a series of open instrumentation scores to be interpreted by the group and made available for others to play. Music for Hard Times, the CD, provides one possible, and compelling, interpretation of Clay’s work. Bell sonorities, pitched percussion,
Read moreKit Downes Vermillion Kit Downes, piano; Petter Eldh, double bass; James Maddren, drums ECM Records After listening to Obsidian, Kit Downes’s debut as a leader for ECM, one might justifiably think from his considerable prowess as an organist that it was his sole specialty. Not so, as is eminently demonstrated on Vermillion, a piano trio album in a modern jazz idiom for ECM. On a set of originals by Downes and bassist Petter Eldh, along with a rendition of “Castles of Sand” by Jimi Hendrix, these two musicians along with drummer James Maddren demonstrate a simpatico collaboration, filled with
Read moreBarbara Monk Feldman Verses GBSR Duo with Mira Benjamin Another Timbre CD Given her association with Morton Feldman, both personal and professional – he was both her spouse and her instructor at Buffalo University – it is tempting to look for comparisons between their compositions. Tempting but unrewarding. Yes, Monk Feldman creates slow, quiet pieces, but so do many composers since Morton Feldman who have greatly departed from his legacy. A fundamental distinction one hears on Verses, Another Timbre’s Monk Feldman recital disc, is that the composer has a cogent sense of form; the longest piece is thirty-one
Read moreMorton Feldman Late Works for Piano For Bunita Marcus, Palais de Mari, Triadic Memories Alfonso Gómez Kairos 3xCD Morton Feldman’s late piano works are totemic structures, influential on a generation of composers from the Wandelweiser collective to American experimentalists. Slow-moving, prevailingly soft, and quite long, apart from the Palais de Mari, which still clocks in at nearly a half hour in duration. This Kairos recording presents compelling renditions of Feldman in clear, focused sound that captures the pedaling and decay of notes with admirable detail. Alfonso Gómez’s recent recording of Messiaen’s Vingt Regards, also on Kairos, was an impressive
Read moreCatherine Lamb: String Quartets JACK Quartet Kairos 2xCD Catherine Lamb’s studies with James Tenney at Cal Arts, as well as substantial research of figures such as Erv Wilson, have led her to crafting compositions with subtle tuning systems based on just intonation. On a double-CD from Kairos, JACK Quartet performs an early piece, Two Blooms (2009), and a recent, gargantuan opus, divisio spiralis (2019). Where extended just-intonation composer Ben Johnston created quartets like his Fourth, based on “Amazing Grace,” where the focus is melodic cells, Lamb is interested in the confluence of different intervals, creating beats from difference and
Read morehow do I find you? Sasha Cooke, mezzo-soprano, Kirill Kuzmin, piano Pentatone CD Mezzo-soprano Sasha Cooke and collaborative pianist Kirill Kuzmin supply an entry in the “pandemic recording” subgenre, how do I find you?, named after the title piece by Caroline Shaw. Cooke performs a great deal of contemporary repertoire, creating roles in operas and premiering art songs by composers including William Bolcom, Nico Muhly (Marnie at the English National Opera), and Joby Talbot. Apart from a selection by Muhly, all of the songs on the release are with new collaborators, composers in the under-fifty age bracket. Written in
Read moreWind Bells Falls Robbie Lee and Lea Bertucci Telegraph Harp “Glitter and Gleam,” the leadoff single for Robbie Lee and Lea Bertucci’s collaboration Wind Bells Falls immediately brings you into the altered domain of their engaging approach to sound art. An essay for warped celeste, it provides a sense of musique concrète while also exploring a playful sensibility. Bell-like timbres ricochet throughout the soundfield, supplying exactly what the title suggests. Throughout the nine pieces on the recording, the duo deploys winds, keyboards, and tape machines. Their specialties include using acoustic instruments in unconventional ways and distressing tape to
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