Microfest Records has released Amazing Grace, a CD collection of three pieces by American composer Ben Johnston (1926-2019). The album features the Lyris Quartet and includes the title track, Amazing Grace (1973), Quartet #9 (1987) and Octet (1999). Kyle Gann, once a student of Ben Johnston, rightly states in his liner notes that: “Not all musicians realize it, but Ben Johnston, was a major figure in the Midwestern new music world in the 1970s and ‘80s, comparable to John Cage on the East Coast or Lou Harrison on the West. He looms even larger in the world of microtonal music,
Read moreOn October 28, 2022, Greyfade released Filters, a debut album of solo piano music by Phillip Golub. Based in New York, Golub has been performing for decades in both classical and improvisational settings. In Filters he explores the intersection of musical repetition and improvisation. The album consists of four piano ‘loops’, each about 8 minutes long. Each loop is a series of repeating phrases that maximize expression by the performer while severely limiting harmonic and rhythmic changes. Careful listening allows discernment of the unique contributions of the performer without distraction. As Golub writes: “When we know the repetition is not
Read moreOn Saturday, September 17, 2022, the Meng Concert Hall at Cal State Fullerton was the venue for the world premiere of Why Women Went West, a new chamber opera by composer Pamela Madsen. The opera was presented in concert format, performing the musical elements and including the supplementary videos and electronics. Brightwork newmusic provided the main instrumental accompaniment from the stage with supporting musicians stationed all along the perimeter of the hall. Stacey Fraser, the acclaimed soprano, was the vocal soloist. Why Women Went West is the story of Mary Hunter Austin, who left her Midwestern hometown in the late
Read moreJack Curtis Dubowsky has been a familiar presence in Los Angeles contemporary music for many years. He may be best known for his original scores for vintage silent films, as well as for performing them live while projecting the movies in various outdoor venues around town. Dubowsky has also scored feature films, orchestral and chamber works, as well as choral music including the acclaimed Harvey Milk: A Cantata. He is a member of the Academy of Television Arts and Sciences and the author of three books. Bolsa Chica Calm is Dubowsky’s latest electro-acoustic album, and he writes that this music
Read moreThe world premiere of Oratorio for the Earth by Pamela Madsen was heard in the Meng Concert Hall at Cal State University, Fullerton on May 14, 2022. If you couldn’t make it to the performance, a video of a quite satisfactory quality is now available online. This seven-movement oratorio is scored for a full orchestra, a large chorus and six vocal soloists who are the Hex Ensemble. The work offers a dramatic commentary on the uncertain state of nature and the earth in a time of portentous climate change. While the scope and scale of Oratorio for the Earth is
Read moreNEscapes Records has released Cloud Atlas Symphony, by Gene Pritsker, performed by the MDR Leipzig Radio Symphony and choir, conducted by Kristjan Jarvi. Some ten years in the making and based on music from the film ‘Cloud Atlas’ by Tom Tykwer, Jonny Klimek and Reinhold Heil, Cloud Atlas Symphony is a re-imagining of the film music into the wider context of a contemporary symphonic performance. As the composer writes in the liner notes: “I wrote this symphony because I was inspired by this story, by this movie and by a new concept of taking music, that was created specifically for
Read moreCold Blue Music has released Houses of the Wind, a new album of electro-acoustic music by Pulitzer Prize-winning composer John Luther Adams. This was inspired by a 1989 recording of Alaskan arctic winds blowing through an aeolian harp. In listening to that original recording again, John Luther Adams writes: “The voices of the wind singing through the strings of the harp brought back vividly the clarity of light, the sprawling space, and the sense of possibility I had felt.” The recent pandemic lock down presented Adams with the studio time to electronically reshape the recording and the result is a
Read moreOn Saturday, June11, 2022 the Ojai Music Festival evening concert featured Little Jimmy, by Andrew McIntosh along with Deep Water Trawling and Family Dinner, both by Matthew Aucoin. The Libbey Bowl was mostly filled as was the lawn seating. A perfect evening, clear and warm, added to the pleasant Ojai atmosphere. Andrew McIntosh is a Los Angeles-based composer and gifted violinist who is also an avid outdoorsman. Andrew has made it to the summit of several peaks in the Sierras as well as Mount Shashta, and he can often be found hiking the local trails. Little Jimmy is named for
Read moreThe 75th anniversary edition of the Ojai Music Festival opened on June 9 and ran through June 12, 2022. A full program was scheduled by Music Director Zack Winokur including 17 core artists, 20 collaborators and participation by the American Modern Opera Company (AMOC). A wide variety of music was planned, from J.S. Bach to Andrew McIntosh and included a world premier by Matthew Aucoin. The Ojai weather was perfect and a sizable crowd surged in and around Libbey Park, almost as if the pandemic had never happened. The Friday morning concert, titled Eastman, was given over entirely to the
Read moreOn June 4 and 5, the Synchromy Opera Festival presented two world premieres that explored the impact of modern technology on human relationships. The first of these, The Double, by Vera Ivanova, dealt with issues of identity and the reach of technology into psychological therapy. The second opera performed at the festival was Roman, by Ian Dicke, who is both composer and librettist. Roman takes takes an unflinching look at the sinister possibilities inherent in the commercial application of artificial intelligence. Ian Dicke is noted for his previous works that are also critical of modern developments: Get Rich Quick (2009)
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