CD Review

CD Review, File Under?, jazz

Cecilia Smith Celebrates Mary Lou Williams

Cecilia Smith The Mary Lou Williams Resurgence Project, Vol. 1: Small Ensemble Repertoire Cecilia Smith, vibraphone, Lafayette Harris, Jr. & Carlton Holmes (piano/organ),  Kenny Davis (bass), Ron Savage (drums), Carla Cook (vocals) Self-released   Mary Lou Williams was an extraordinarily gifted jazz pianist and composer, particularly prominent during the Swing band era, but also rightly held in esteem for her late modern jazz work “Zodiac Suite.” Among her accomplishments, she played with Benny Goodman and arranged for Duke Ellington. Vibraphonist Cecilia Smith has decided to commemorate her legacy with the recording The Mary Lou Williams Resurgence Project, Vol. 1: Small

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CD Review, File Under?, Guitar, jazz

Dominic Miller – Vagabond on ECM Records (CD Review)

Dominic Miller Vagabond Dominic Miller, guitar; Jacob Karlzon, piano, keyboard; Nicolas Fiszman, bass; Ziv Ravitz, drums ECM Records   Vagabond is guitarist Dominic Miller’s third recording for ECM Records. Apart from bassist Nicolas Fiszman, Miller has assembled a new group of collaborators: keyboardist Jacob Karlzon and drummer Ziv Ravitz join him in a quartet setting. Miller composed most of Vagabond’s eight originals while living in the South of France. He has suggested that nature and the small towns and buildings he passes on long walks supply him with inspiration. The guitarist’s Argentinian roots may be a bit further out of

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CD Review, File Under?, Pop

Wila Frank – Black Cloud (CD Review)

Wila Frank Black Cloud Tone Tree Music   Singer-songwriter Wila Frank’s debut LP Black Cloud defies the expectations of a Music City artist. Like a number of musicians who have moved to Nashville in the wake of the city’s big boom, Frank isn’t a country artist. Her work hews closer to indie rock, with fetching quirks that make it distinctive. For instance, there is a repeated sharp fourth that gives the progression in “Oh Fate” an unconventional tinge.   Frank’s singing sometimes adopts a disaffected, even laconic, tone, which makes the soaring climaxes of songs such as “Fire” even more

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Brooklyn, CD Review, Contemporary Classical, Festivals, File Under?, jazz, Piano, Twentieth Century Composer

Ethan Iverson Curates Sono Fest; Han Chen’s Ligeti

Ethan Iverson Curates Sono Fest; Han Chen’s Ligeti Like many listeners, I first became acquainted with pianist Ethan Iverson via The Bad Plus recording These are the Vistas, which contained strong originals and a jaw-dropping rendition of Nirvana’s “Smells Like Teen Spirit.” Several albums later, Iverson moved on from The Bad Plus to a variety of projects. His blog Do the Math outlines his work as an educator (at New England Conservatory) and a variety of interests that, unsurprisingly, focus on jazz, but also encompass twentieth and twenty-first century concert music. Starting next week, he brings his omnivorous musical instincts,

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CD Review, Contemporary Classical, File Under?, jazz

Rochford and Downes on ECM (CD Review)

Sebastian Rochford, Kit Downes A Short Diary ECM Records    “This short diary (of loss), offered as a sonic memory,   created with love, out of need for comfort.” -Sebastian Rochford   When Sebastian Rochford’s father, the Aberdeen poet Gerard Rochford (1932-2019) passed away, the drummer decided to create a recording in his memory. He composed most of the music after his father’s death, and enlisted pianist Kit Downes as a collaborator. Downes is actually a musical switch-hitter; he is also an accomplished organist. “This Tune Your Ears Will Never Hear” opens the album mid-tempo with thick chords and snare in

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CD Review, Contemporary Classical, Dance, File Under?, Piano

Sufjan Stevens – Reflections (CD Review)

Sufjan Stevens – Reflections  Timo Andres, Conor Hanick, piano Asthmatic Kitty   Reflections is a studio version of Sufjan Steven’s sixth collaboration with choreographer Justin Peck. Over the course of his career, Stevens has explored a number of genres: indie rock, electronica, and folk music. His work as a concert music composer shows considerable facility, with idiomatic, indeed virtuosic, writing for piano duo.    The opening track, “Ekstasis” begins the ballet with emphatic, thickly voiced chords and glissandos, followed by brilliant passagework and a briefly inserted swinging melody. Pianists Timo Andres and Conor Hanick are perfect for the challenges posed

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CD Review, early music, File Under?

De Profundis Sings Morales (CD Review)

Morales: Missa Desilde al cavallero, Missa Mille Regretz, Magnificat Primi Toni De Profundis, directed by Eamonn Dougan and Robert Hollingsworth Hyperion Records   Cambridge’s De Profundis has quickly become a go-to ensemble for Spanish vocal repertoire from the Renaissance. An all-male group with a sonorous sound that includes an incomparable bass section (hence the group name), they have released extraordinary recordings of Vivanco, Esquivel, and Ribera. Now De Profundis is turning its attention to Cristobal de Morales (c. 1500-1553), with a projected 12-album project to record his masses and Magnificat settings. The first disc in the collection, released in 2023, 

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CD Review, Composers, Contemporary Classical, File Under?, Piano

Frederic Rzewski – Late Piano Works (CD Review)

Frederic Rzewski Late Piano Works Bobby Mitchell, piano Naxos   Frederic Rzewski (1938-2021) was a gifted composer and pianist. His oeuvre included pieces in many genres, but it is his piano works that, to date, are best known. Rzewski premiered a number of pieces, but in his later years deputized pianist Bobby Mitchell, dedicating works to him and trusting his talent to be sufficient for their often virtuosic and complex interpretive demands.   Rzewski’s pieces combine modernism and vernacular styles, particularly leftist folk songs, often in sets of multifaceted variations. War Songs (2008) includes songs that are both pro and

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CD Review, Contemporary Classical, File Under?

Rebecca Saunders – Skin on NMC (CD Review)

Rebecca Saunders Skin Christian Dierstein, Dirk Rothbrust, percussion Rundfunk-Sinfonieorchester Berlin (RSB), Enno Poppe, conductor Quatuor Diotima Juliet Fraser soprano, Klangforum Wien, Bas Wiegers, conductor NMC Recordings   Berlin-based British composer Rebecca Saunders often creates pieces with the capacities of specific collaborators in mind. Her latest recording for NMC, Skin, features three of her “calling card” pieces from the 2010s, performed estimably by their dedicatees. Saunders is one of the composers sometimes described as part of the Second Moderns, creators who revitalize the tenets of modernism in the light of Postmodernism and New Complexity. Pieces consist of a plethora of extended

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CD Review, Contemporary Classical, Experimental Music, File Under?

Ming Tsao – Triode Variations (CD Review)

Ming Tsao Triode Variations Ensemble Musikfabrik, conducted by Emilio Pomárico Neue Vocalisten Stuttgart Ensemble KNM Berlin, Stefan Schreiber, conductor Kairos Music   Triode Variations is composer Ming Tsao’s third recording for Kairos, with another portrait CD on the way in 2024. It is a showcase of a relatively small timeframe, with pieces on it composed from 2016-2020. In his formative years Tsao trained widely, studying violin and viola with Ron Erikson, Guqin (Chinese zither) with Wu Zhao-ji, composition with Chaya Czernowin and Brian Ferneyhough, and electronic music with Mario Davidovsky. He ended up at University of California San Diego, where

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