Contemporary Classical

Broadcast, Competitions, Composers, Contemporary Classical, Radio

440-30=12?

By now, you’ve surely heard about Project 440 at Orpheus/WQXR, and the next round of cuts will take the composers to just a dozen (to be announced September 9th on WQXR). So I thought it would be interesting to talk to the remaining 30 before the cut about this process. Q: “You all have probably been involved in a group lesson or masterclass at some point – some sort of public forum – with a teacher, composer or perhaps an ensemble and conductor. Project 440, however, involves not only a selection committee, but comments on the internet. How do you

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Composers, Contemporary Classical, File Under?

Interview with Richard Ayres

Since 1989, British composer Richard Ayres (born 1965) has lived and worked in the Netherlands. He currently teaches composition at the Royal Conservatoire in Den Haag: an institution where he did his graduate studies with Louis Andriessen. His compositional style reveals a profusion of influences, from Ives and Kagel to Ades and Janacek. Above all one notices his interest in dense counterpoint, frequently deployed in multi-layered structures; as well as a concomitant flair for testing the limits of playability, often with an eye towards cultivating a “melancholically humorous” ambience.  One of his favorite mediums is the “noncerto:” a composition for

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Choral Music, Composers, Contemporary Classical, Dance, Interviews, Los Angeles, Recordings, Signings

iDrink @ iTunes

Nico Muhly is set to appear at the Santa Monica Apple Store on the Third Street Promenade Wednesday, September 8th to mark two new releases from Decca. “A Good Understanding” will be released exclusively on iTunes on September 7, with physical copies available on September 21 alongside “I Drink the Air Before Me”. Muhly along with Los Angeles Master Chorale conductor Grant Gershon will take part in a Q&A session – where Muhly will demonstrate how he creates his compositions with GarageBand on his MacBook Pro. The talk will end with a performance by members of the Los Angeles Master

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Contemporary Classical

Binarium Sound Sound Series and Trills this Sunday, August 29th, in Houston, TX

[youtube]http://www.youtube.com/watch?v=R9BoplwcaaI&hd=1[/youtube] Trills Flavia. (Music and Film by Jonathan Jindra. Dancer: Paola Georgudis. 
Girl in TV: Valentina Canastaro. 
Assisted by: Simon Pena) Jonathan Jindra’s weekly experimental music concerts Binarium Sound Series continues 8pm Sunday nights here in Houston, Texas at The Mekong Underground, 2808 Milan Street (right next to Kohn’s bar). This is a wonderful series where you will hear intimate performances by local and visiting artists performing composed, improvised, electronic, and acoustic experimental music. This Sunday’s August 29th Binarium program features Jonathan’s electronica project Trills. Trills is manifested in Jonathan’s live performances as well as several online digital releases –

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Contemporary Classical

The Proms–Mosolov, Watkins, Cage, Cardew, Skempton, Feldman

The Prom concert on August 20, by The Philharmonia Orchestra and Esa-Pekka Salonen, began with The Foundry (1927) by Alexander Mosolov. This is a four minute bit of Russian avant-garde constructivism, portraying in the most realistic way possible with an orchestra…well, a foundry. It was first performed in Lenningrad in 1927 at a concert celebrating the tenth anniversary of the Revolution. The Foundry was originally intended to be the first of four movements or music for a ballet, which was never produced, to be called Steel. The other movements, which have been lost, were called ‘In Prison,’ ‘At the Ball,’

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Contemporary Classical

Pärt on the Proms

Among the events being commemorated in this year’s Proms season, is the 75th birthday of Arvo Pärt. This celebration kicked off on August 17 with a concert by the BBC Symphony Orchestra, conducted by Edward Gardner, which began with Pärt’s Cantus in memoriam Benjamin Britten, and which followed Britten’s Four Sea Interludes from Peter Grimes. The intention was that the Britten would follow without a break; the program actually said that. But as it turned out, the body language of both the conductor and the orchestra told the audience at the end of the Pärt that something had stopped, and

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Awards, Bang on a Can, CDs, Chamber Music, Composers, Contemporary Classical, Downtown, File Under?, Minimalism, New York, Video

We Love Advances

Steve Reich’s latest Nonesuch CD recently arrived, sans artwork in a little cardboard case. The disc features Double Sextet and 2×5, his collaborations with Eighth Blackbird and Bang on a Can. The former piece won the 2009 Pulitzer Prize in Music. The latter is his most explicit use of rock instrumentation to date. According to the Nonesuch site, it’s still in the “pre-order” phase of activities, so we’ll be good and hold off on a proper review ’til it’s closer to the actual release date (9/14). Suffice it to say, if you’re a regular visitor to Sequenza 21, you’re likely

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Chamber Music, Composers, Concerts, Contemporary Classical, File Under?, New York

Interview with Frank J. Oteri

This Thursday evening, the Locrian Chamber Players are presenting a concert at Riverside Church in New York City. The program features music by Harrison Birtwistle, Judith Shatin, John Luther Adams, and Frank J. Oteri. Frank is a fixture on the NY scene. He’s the composer advocate for the American Music Center and is Founding Editor of their web magazine New Music Box. Frank is indeed a persuasive advocate on behalf of other composers, but he’s not asked about his own music nearly often enough. In the interview that follows, we focus primarily on Brinson’s Race, the piece that appears on Thursday’s concert. But along the way, we are

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Contemporary Classical

James Dillon at the Proms

On Thursday night The BBC Scottish Symphony Orchestra and Martyn Brabbins, performed La navette by James Dillon, giving the work its first UK performance.   Born in 1950, Dillon could be described as a ‘New Complexity” composer, along with Brian Ferneyhough, Michael Finnissy, Richard Barrett, among others.   He has written lots of music, a lot of which has been played on the Proms concerts and other places, and he is celebrated in the UK, where is definitely considered to be an important composer.    Although his music is not so well known in the US, he has done a fair amount

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