Hearing Landscapes Hearing Icescapes Lei Liang New Focus Recordings From 2012-2022, composer Lei Liang did a residency at the Qualcomm Institute at UC San Diego, where he is a full professor. At Qualcomm, Liang worked with scientists in a variety of disciplines – software developers, robotic engineers, material scientists, cultural heritage engineers, and oceanographers – to infuse his music with ecological and ethnographic elements. The result, Hearing Landscapes Hearing Icescapes, are two electronic works that incorporate samples, folk songs, and a few live musicians. Hearing Landscapes is an homage to Huang Binhong (1865-1955), a gifted landscape painter. The audio
Read moreA Brightwork Newmusic concert was staged at Boston Court Pasadena on Saturday, March 18, 2023. A program of intensely complex music was performed, including pieces by Khachaturian and Bartok from the 1930s and three works by contemporary composers. Aron Kallay, pianist, Shalini Vijayan, violin and Brian Walsh on clarinet comprised the highly talented Brightwork trio of Los Angeles area musicians. The intimate Marjorie Branson Performance Space at Boston Court, which underwent some upgrades during the pandemic, was perfectly suited to the ensemble, the music and the audience. The concert opened with Trio for Violin, Clarinet and Piano (1932) by Aram
Read moreNo Cosmos -You iii Everything Else (Lighter than Air) Montreal-based trumpeter Scott Bevins has played in the band Busty and the Bass and collaborated with Pierre Kwenders and the collective Moonshine. You iii Everything Else is the debut of his No Cosmos project, which combines fusion-inflected jazz with experimental electronica. “Watercolor Ghost” is propelled by a circular electric piano riff with high soprano Sarah Rossy scat-singing on top of it. Bevins and saxophonist Evan Shay continue with the tune, lightly adorned here and there, but emphasizing basic contours of the melody. Drummer Kyle Hutchins creates economic, flowing grooves that
Read moreThe Song is You Enrico Rava and Fred Hersch CD/LP ECM Records ECM Records has begun resuming production of their releases as vinyl LPs. This is the first I am reviewing. As one expects from ECM, its sound quality is superlative. Those who remember ECM’s vinyl releases in the pre-CD era will welcome this return. In addition to production values, another aspect of ECM’s curation ethos is bringing together artists from their roster to make music together. Both trumpeter Enrico Rava and pianist Fred Hersch have created memorable releases for ECM. Pairing them is an inspired choice. The Song
Read moreChamber Music from Hell Chris Opperman Chris Opperman, Synclavier, piano Kurt Morgan, programming, electric bass Mike Keneally, electric guitar Ryan Brown, drum set Jason Camelio, trombone Brianna Tagliaferro, cello Marco Minnemann, drum set The New Jersey Percussion Ensemble (Peter Jarvis, Payton MacDonald, Mike Aberback, Paul Carroll) Ursula Joy Opperman, Synclavier Purple Cow Records When you have two Synclavier players on a recording that begins with a comic spoken introduction (“Where is Everybody?” – these reappear periodically in a robotic voice), it is tempting to suggest that the composer, Chris Opperman, must be writing a post-Zappa homage. Without
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Classical Music, Composers, Concert review, Concerts, Contemporary Classical, Lincoln Center, New York, Review
Just before the NY Philharmonic concert began playing Turangalila by Olivier Messiaen at David Geffen Hall on Saturday, the stranger sitting next to me asked if I thought he would like it. I told him it’s very different and very thrilling. Just keep an open mind. For classical music enthusiasts of a certain ilk, a performance of Turangalila is a hotly anticipated special occasion. It doesn’t get performed all that often, perhaps because it requires additional personnel on stage (ten percussionists!), it takes up an entire program, AND you have to find an ondes martenot (an early 20th century electronic
Read moreRadical Romantics Fever Ray Mute It has been nearly six years since Plunge, Karin Dreijer’s last album under the moniker Fever Ray. Equally well known for their band The Knife, on which they collaborate with their brother Olof Dreijer, Karin has made distinctive electronic music for over twenty years. Their latest, Radical Romantics, is a welcome return. In gestation since 2019, it is some of the finest work released by the Fever Ray project. Another welcome return is one of collaboration. Olof helped to produce some of the recording and co-wrote four of the songs, the first collaboration
Read moreTiny Thunder is a new CD of graceful piano music by Nicholas Chase, released February 10, 2023 by Cold Blue Music. This album includes two new works performed by pianist Bryan Pezzone. The press release for Tiny Thunder states that: “Held in motion by their internal logic, these pieces drift and weave through alluring, often serene musical landscapes.” Nicholas Chase has enjoyed a long career as a composer and performer. He has appeared in a number of concert festivals in Europe and the US. Chase has participated in the Whitney Biennial in New York and was an inaugural Composer Fellow
Read moreWhen the pianist Adam Tendler received a windfall of cash a few years ago, he chose not to blow it on such ephemeral items as rent and groceries. Instead, he commissioned 16 composers to write short works, and assembled those into a program called Inheritances which he performed at The 92 nd Street Y, New York on Saturday in the collection’s New York premiere. Inheritances is deeply personal for Tendler: the money was an unanticipated bequest from his father, whose death itself was unexpected. Nearly all of the music was tender and gentle; an impression that was formed from both
Read moreVoyageur Ali Farka Touré Work Circuit Records The late Ali Farka Touré (1939-2006) was one of the most venerated of West African guitarists. His work combined the musical culture of his home country Mali with that of other African styles, including frequent collaborations that extended his work’s reach. Touré had a belated introduction to First World listeners, via a solo record that came out in the 1980s, when he was in his fifties. By 1994, Taking Timbuktu had won him a Grammy, with more awards to follow, including a Grammy for the posthumous release Ali & Toumani. When
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