how do I find you? Sasha Cooke, mezzo-soprano, Kirill Kuzmin, piano Pentatone CD Mezzo-soprano Sasha Cooke and collaborative pianist Kirill Kuzmin supply an entry in the “pandemic recording” subgenre, how do I find you?, named after the title piece by Caroline Shaw. Cooke performs a great deal of contemporary repertoire, creating roles in operas and premiering art songs by composers including William Bolcom, Nico Muhly (Marnie at the English National Opera), and Joby Talbot. Apart from a selection by Muhly, all of the songs on the release are with new collaborators, composers in the under-fifty age bracket. Written in
Read moreWind Bells Falls Robbie Lee and Lea Bertucci Telegraph Harp “Glitter and Gleam,” the leadoff single for Robbie Lee and Lea Bertucci’s collaboration Wind Bells Falls immediately brings you into the altered domain of their engaging approach to sound art. An essay for warped celeste, it provides a sense of musique concrète while also exploring a playful sensibility. Bell-like timbres ricochet throughout the soundfield, supplying exactly what the title suggests. Throughout the nine pieces on the recording, the duo deploys winds, keyboards, and tape machines. Their specialties include using acoustic instruments in unconventional ways and distressing tape to
Read moreEthan Iverson Every Note is True Ethan Iverson, piano; Larry Grenadier, bass; Jack DeJohnette, drums Blue Note Pianist Ethan Iverson received an excellent birthday present today: the release of Every Note is True, his debut recording on Blue Note Records. Since departing the Bad Plus, Iverson has worked on a number of projects as a composer, taught at New England Conservatory, written insightful criticism and pedagogical articles on his blog Do the Math and for other publications, and collaborated with musicians such as saxophonist Mark Turner, drummer Bill Hart, and trumpeter Tom Harrell. Followers of these activities will note
Read moreOn Wednesday, February 9th, Herb Deutsch turned ninety years old. Deutsch has been an icon of sound synthesis both as a composer and hardware designer. One of the inventors of the first Moog synthesizers, he designed the keyboard interface that served as the basis for countless synths that followed. Moog Music is using this auspicious occasion to kick off GIANTS, a series of films about synth pioneers. In the video below, Deutsch describes his life, musical inspirations, and the early days of creating versatile hardware to perform and record electronic sound. After the film about Deutsch, you will soon
Read moreWe are saddened to learn of the loss of George Crumb, who passed away on February 6, 2022 at the age of 92. A winner of the Pulitzer Prize, the composer was one of the most important musical figures of his generation, both as a creator and, for many years, as a professor at University of Pennsylvania. Considered by his students to be a supportive and gifted teacher, he mentored a number of composers who went on to major careers. Crumb composed a large catalog of works, and many of them have become touchstones of the contemporary repertoire. The
Read moreCelebrating Mendelssohn’s Birthday with Piano Recordings February 3rd is Felix Mendelssohn’s birthday. To celebrate, here are two reviews of recent recordings of piano music by the composer. Felix Mendelssohn Complete Music for Solo Piano, Vol. 6 Hyperion CD Howard Shelley Pianist Howard Shelley has been making his way through the compendious catalog of Felix Mendelssohn. The latest entry in his complete set, Volume Six, contains several well-known favorites as well as gems without opus numbers. If one has the impression of Mendelssohn as a neo-Mozartean composer of grace without the oomph of a creator like Schumann from the
Read moreMichael Gielen Edition Volume 10: Music After 1945 SWR Sinfonieorchester, Michael Gielen conductor SWR 6xCD boxed set The tenth and final boxed set in SWR’s Michael Gielen Edition spotlights his considerable contributions to post-1945 concert music. Seven hours of live recordings of music by European avant-garde figures Pierre Boulez, Luigi Nono, György Ligeti, György Kurtág, Jorge E. López, Maurizio Kagel, and Bernd Alois Zimmerman and Americans Morton Feldman, John Cage, and George Crumb. Gielen’s own compositions are featured as well. Gielen (1927-2019) may not have been prolific, but proves to be a fine composer, one whose works should be
Read moreBest New/Experimental Recordings Trio IX and Exercises Christian Wolff Trio Accanto Nicholas Hodges, piano; Marcus Weiss, saxophone; Christian Dierstein, percussion Wergo CD Three String Quartets Christian Wolff Quatuor Bozzini New World CD On Trio IX and Exercises, Trio Accanto performs recent music by Christian Wolff, a composer with whom they have often collaborated. Trio IX (2017) is dedicated to the group, and it is filled with tunes ranging from J.S. Bach to work songs to quotes and “reminiscences” from Wolff’s own music. This is a palimpsest of a quodlibet, and all the better for it, as the strands from
Read moreParker Quartet; Kim Kashkashian, viola György Kurtág: Six moments musicaux; Officium breve Antonin Dvořák: String Quintet op. 97 ECM Records The Czech composer Antonin Dvořák (1844-1901) and Hungarian composer György Kurtág (1926-) are seldom mentioned in the same breath. One is more often likely to hear Dvořák being discussed in relation to his older colleague Johannes Brahms, and a similar pairing might be made between Kurtág and György Ligeti. However, they are paired by the Parker Quartet and violist Kim Kashkashian on a 2021 ECM CD. While their musical languages are worlds apart, connections between Dvořák and Kurtág,
Read moreNumber Pieces John Cage Apartment House Another Timbre 4XCD boxed set John Cage’s Number Pieces, late compositions (from 1987-1992) are given two designations, a number indicating the size of the ensemble and a superscript indicating its order in multiple pieces for the same-sized grouping (Quintet #2 = 52). Fragments of pitches, sometimes single notes, are indicated; dynamics appear sporadically. Rhythm is codified through the use of “time brackets,” indicating how long before a performer can move to another fragment. Most of the pieces are for a particular instrumentation, although a few are unspecified. Thus, while a considerable amount of
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