Tag: @sequenza21

Birthdays, CD Review, File Under?, jazz

Ethan Iverson’s Blue Note Debut (CD Review)

Ethan Iverson Every Note is True Ethan Iverson, piano; Larry Grenadier, bass; Jack DeJohnette, drums Blue Note   Pianist Ethan Iverson received an excellent birthday present today: the release of Every Note is True, his debut recording on Blue Note Records. Since departing the Bad Plus, Iverson has worked on a number of projects as a composer, taught at New England Conservatory, written insightful criticism and pedagogical articles on his blog Do the Math and for other publications, and collaborated with musicians such as saxophonist Mark Turner, drummer Bill Hart, and trumpeter Tom Harrell. Followers of these activities will note

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Birthdays, Composers, Contemporary Classical, Electro-Acoustic, File Under?

Moog Celebrates Herb Deutsch with First Episode of GIANTS Series

On Wednesday, February 9th, Herb Deutsch turned ninety years old. Deutsch has been an icon of sound synthesis both as a composer and hardware designer. One of the inventors of the first Moog synthesizers, he designed the keyboard interface that served as the basis for countless synths that followed. Moog Music is using this auspicious occasion to kick off GIANTS, a series of films about synth pioneers. In the video below, Deutsch describes his life, musical inspirations, and the early days of creating versatile hardware to perform and record electronic sound.    After the film about Deutsch, you will soon

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CD Review, Contemporary Classical, File Under?, Orchestras, Twentieth Century Composer

Michael Gielen Edition Vol. 10 (CD Review)

Michael Gielen Edition Volume 10: Music After 1945 SWR Sinfonieorchester, Michael Gielen conductor SWR 6xCD boxed set   The tenth and final boxed set in SWR’s Michael Gielen Edition spotlights his considerable contributions to post-1945 concert music. Seven hours of live recordings of music by European avant-garde figures Pierre Boulez, Luigi Nono, György Ligeti, György Kurtág, Jorge E. López, Maurizio Kagel, and Bernd Alois Zimmerman and Americans Morton Feldman, John Cage, and George Crumb. Gielen’s own compositions are featured as well. Gielen (1927-2019) may not have been prolific, but proves to be a fine composer, one whose works should be

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Best of, CD Review, Contemporary Classical, Experimental Music, File Under?

Best of 2021: New/Experimental Recordings

Best New/Experimental Recordings Trio IX and Exercises Christian Wolff Trio Accanto Nicholas Hodges, piano; Marcus Weiss, saxophone; Christian Dierstein, percussion Wergo CD Three String Quartets Christian Wolff Quatuor Bozzini New World CD   On Trio IX and Exercises, Trio Accanto performs recent music by Christian Wolff, a composer with whom they have often collaborated. Trio IX (2017) is dedicated to the group, and it is filled with tunes ranging from J.S. Bach to work songs to quotes and “reminiscences”  from Wolff’s own music. This is a palimpsest of a quodlibet, and all the better for it, as the strands from

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Best of, CD Review, Classical Music, Contemporary Classical, File Under?, jazz

Best of 2021: ECM Recordings

Parker Quartet; Kim Kashkashian, viola György Kurtág: Six moments musicaux; Officium breve Antonin Dvořák: String Quintet op. 97 ECM Records   The Czech composer Antonin Dvořák (1844-1901) and Hungarian composer György Kurtág (1926-) are seldom mentioned in the same breath. One is more often likely to hear Dvořák being discussed in relation to his older colleague Johannes Brahms, and a similar pairing might be made between Kurtág and György Ligeti. However, they are paired by the Parker Quartet and violist Kim Kashkashian on a 2021 ECM CD.    While their musical languages are worlds apart, connections between Dvořák and Kurtág,

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Best of, CD Review, CDs, Contemporary Classical, Experimental Music, File Under?

Best of 2021: Recording of the Year

Number Pieces John Cage Apartment House Another Timbre 4XCD boxed set   John Cage’s Number Pieces, late compositions (from 1987-1992) are given two designations, a number indicating the size of the ensemble and a superscript indicating its order in multiple pieces for the same-sized grouping (Quintet #2 = 52). Fragments of pitches, sometimes single notes, are indicated; dynamics appear sporadically. Rhythm is codified through the use of “time brackets,” indicating how long before a performer can move to another fragment. Most of the pieces are for a particular instrumentation, although a few are unspecified. Thus, while a considerable amount of

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Contemporary Classical

Best EP of 2021: Light Past Blue

Best EP of 2021 Light Past Blue Alex Somers & Aska Matsumiya Mini LP   Sometimes music sneaks up on you. This recording, Light Past Blue, just dropped Friday, indeed out of the blue, braving the hustle bustle and list making of the holiday season to provide 20 minutes of exquisite calm.   Alex Somers is a composer and producer who has worked with a heady roster of talents that includes Sigur Rós, Jónsi, Julianna Barwick, Sin Fang, and Gyða Valtýsdóttir. He performed in the duo Jónsi & Alex Somers, who released two albums Riceboy Sleeps (2009) and Lost and

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CD Review, Contemporary Classical, Experimental Music, File Under?

Bernhard Lang – Piano Music (CD Review)

Bernhard Lang Piano Music Wolfram Oettl, piano Kairos Music CD   Bernhard Lang (b. 1957) writes in a number of different media, from chamber music to theatre works. His solo piano music is reflective of the composer’s omnivorous interest in various musical styles and his adroit sense of scoring, which allows the piano to have an orchestral impact in the two multi-movement works on his latest Kairos CD.    In liner notes for the CD, Lang remarks that he is interested in free improvisation and DJ electronica as well as contemporary concert music. One can hear this in the angular

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CD Review, Choral Music, Contemporary Classical, File Under?

Cantus Records Manifesto

Cantus Manifesto Signum Classics   The all-male vocal ensemble Cantus’s first full length recording in seven years, Manifesto, features pieces, all in world premiere recordings, that explore relationships and identity. The title work is a piece by David Lang, the text taken from answers to a Google Search auto-complete list of the query “I want to be with someone who…” It was originally commissioned by Cantus for a program titled “The Four Loves.” Lang’s piece signifies romantic love and is written in a minimal style, the textual repetitions being a hallmark of his approach. “If I Profane,” by Libby Larsen,

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