G_d’s Pee AT STATE’S END! Godspeed You! Black Emperor Constellation Records As with their previous album Luciferan Towers, a published manifesto accompanied the release of Godspeed You! Black Emperor’s seventh LP, G_d’s Pee AT STATE’S END!. While further left than Bernie Sanders, some of the planks of Godspeed’s platform – defunding the police, taxing the wealthy, prison reform, climate change mitigation – seem newly relevant in light of the (first?) two pandemic years and their concomitant political and social awakening. Rather than curse the darkness, this time out the band makes music that is defiant, indefatigable, and even exuberant
Read moreBest New/Experimental Recordings Trio IX and Exercises Christian Wolff Trio Accanto Nicholas Hodges, piano; Marcus Weiss, saxophone; Christian Dierstein, percussion Wergo CD Three String Quartets Christian Wolff Quatuor Bozzini New World CD On Trio IX and Exercises, Trio Accanto performs recent music by Christian Wolff, a composer with whom they have often collaborated. Trio IX (2017) is dedicated to the group, and it is filled with tunes ranging from J.S. Bach to work songs to quotes and “reminiscences” from Wolff’s own music. This is a palimpsest of a quodlibet, and all the better for it, as the strands from
Read moreParker Quartet; Kim Kashkashian, viola György Kurtág: Six moments musicaux; Officium breve Antonin Dvořák: String Quintet op. 97 ECM Records The Czech composer Antonin Dvořák (1844-1901) and Hungarian composer György Kurtág (1926-) are seldom mentioned in the same breath. One is more often likely to hear Dvořák being discussed in relation to his older colleague Johannes Brahms, and a similar pairing might be made between Kurtág and György Ligeti. However, they are paired by the Parker Quartet and violist Kim Kashkashian on a 2021 ECM CD. While their musical languages are worlds apart, connections between Dvořák and Kurtág,
Read moreNumber Pieces John Cage Apartment House Another Timbre 4XCD boxed set John Cage’s Number Pieces, late compositions (from 1987-1992) are given two designations, a number indicating the size of the ensemble and a superscript indicating its order in multiple pieces for the same-sized grouping (Quintet #2 = 52). Fragments of pitches, sometimes single notes, are indicated; dynamics appear sporadically. Rhythm is codified through the use of “time brackets,” indicating how long before a performer can move to another fragment. Most of the pieces are for a particular instrumentation, although a few are unspecified. Thus, while a considerable amount of
Read moreBest of 2021 – Happy 80th Birthday Wadada Leo Smith! Wadada Leo Smith turns eighty today, and Sequenza 21 wishes him many more years of health, creative improvisation, and composing. Smith has been a driving force as a member of AACM for over five decades, a keen collaborator with jazz and concert musicians, a Pulitzer Prize finalist, and a faculty member at CalArts and elsewhere. 2021 has been a prolific one in terms of record releases by the trumpeter and composer. He is joined by wind player Douglas Ewart and drummer Mike Reed on the Astral Spirits CD Sun
Read moreWilliam Byrd and John Bull The Visionaries of Piano Music Kit Armstrong, piano Deutsche Grammophon CD In The Visionaries of Piano Music, Kit Armstrong plays two of the greatest English keyboard composers active during the reigns of Elizabeth I and James I on the modern piano, aiming to show what he calls “a seamless line of development” between this repertory and more recent music written explicitly for the piano. William Byrd (ca. 1540-1623) and John Bull (ca. 1562-1628) wrote for very different instruments from the piano, the harpsichord and its smaller companion the virginal; Christofori developed early versions of
Read moreHodie Christus Natus Est Boston Camerata, Anne Azéma Harmonia Mundi CD A trio of female singers accompanied by hurdy gurdy, harp, rebec, and bells present a diverse program of medieval Christmas music in English, Latin, Italian, Iberian, and French. Plainsong hymns, responses, carols, and dances, all by anonymous sources, are performed with impeccable sound, blend, and tuning and an impressive variety of approaches. Some of the music is intoned as chant while other pieces are metricized. This repertoire would not have appeared together in a single performance, especially given the blend of sacred and secular pieces, but Hodie Christus
Read moreWalter Piston: Concerto for Orchestra Variations on a Theme of Edward Burlingame Hill, Divertimento, Clarinet Concerto Michael Nosworthy, clarinet Boston Modern Orchestra Project, Gil Rose, conductor BMOP/sound CD Samuel Barber: Medea Knoxville: Summer of 1915, Medea (complete ballet), A Hand of Bridge Kristen Watson, soprano; Matthew DiBattista, tenor; Angela Gooch, soprano, David Kravitz, baritone, Krista River, mezzo-soprano; Boston Modern Orchestra Project, Gil Rose, conductor BMOP/sound CD Although the Boston Modern Orchestra Project has undertaken commissioning and recording music from our time, another important part of their mission has been reviving symphonists from mid-century America. Two recordings spotlighting music
Read moreSupermundane John Thayer Self-released Far In Helado Negro 4AD Weightless (10 hour version) Signals Marconi Union Just Music Changing Landscapes (Isle of Eigg) Arthur King AKP Fast Idol Black Marble Sacred Bones Ookii Gekkou Vanishing Twin Fire Records John Thayer is a musician who wears many hats: composer, audio engineer, sound artist, and percussionist. He has played with a host of new music performers, including Zeena Parkins, Daniel Carter, Fred Lonberg-Holm, Kato Hideki, Ezra Feinberg, Arp, Robbie Lee, Jeff Tobias, and Jim Pugliese. It is his work with Arp that is likely
Read moreCodebreaker Matthew Shipp TAO Forms CD Village Mothership Whit Dickey, drums; William Parker, bass Matthew Shipp, piano; TAO Forms CD Procedural Language CD Live at SESC Blu-ray DVD Ivo Perelman, saxophones; Matthew Shipp, piano SMP boxed set In both solo and group settings, Pianist Matthew Shipp has continued to prolifically record in 2021. His collaborations with longtime partners, drummer Whit Dickey and bassist William Parker on Village Mothership, and Procedural Language, a celebration of his two-decade musical odyssey with saxophonist Ivo Perelman, are scintillating reminders of Shipp’s development of a fluid musical language that adapts to different scenarios. In
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