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Birthdays, CD Review, Chamber Music, Classical Music, File Under?, Piano

Celebrating Mendelssohn’s Birthday with Piano Works

Celebrating Mendelssohn’s Birthday with Piano Recordings   February 3rd is Felix Mendelssohn’s birthday. To celebrate, here are two reviews of recent recordings of piano music by the composer. Felix Mendelssohn Complete Music for Solo Piano, Vol. 6 Hyperion CD Howard Shelley   Pianist Howard Shelley has been making his way through the compendious catalog of Felix Mendelssohn. The latest entry in his complete set, Volume Six, contains several well-known favorites as well as gems without opus numbers. If one has the impression of Mendelssohn as a neo-Mozartean composer of grace without the oomph of a creator like Schumann from the

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CD Review, Contemporary Classical, File Under?, Orchestras, Twentieth Century Composer

Michael Gielen Edition Vol. 10 (CD Review)

Michael Gielen Edition Volume 10: Music After 1945 SWR Sinfonieorchester, Michael Gielen conductor SWR 6xCD boxed set   The tenth and final boxed set in SWR’s Michael Gielen Edition spotlights his considerable contributions to post-1945 concert music. Seven hours of live recordings of music by European avant-garde figures Pierre Boulez, Luigi Nono, György Ligeti, György Kurtág, Jorge E. López, Maurizio Kagel, and Bernd Alois Zimmerman and Americans Morton Feldman, John Cage, and George Crumb. Gielen’s own compositions are featured as well. Gielen (1927-2019) may not have been prolific, but proves to be a fine composer, one whose works should be

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Best of, CD Review, File Under?

Best of 2021: Rock/Adjacent

G_d’s Pee AT STATE’S END! Godspeed You! Black Emperor Constellation Records   As with their previous album Luciferan Towers, a published manifesto accompanied the release of Godspeed You! Black Emperor’s seventh LP, G_d’s Pee AT STATE’S END!. While further left than Bernie Sanders, some of the planks of Godspeed’s platform – defunding the police, taxing the wealthy, prison reform, climate change mitigation – seem newly relevant in light of the (first?) two pandemic years and their concomitant political and social awakening. Rather than curse the darkness, this time out the band makes music that is defiant, indefatigable, and even exuberant

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Best of, CD Review, Contemporary Classical, Experimental Music, File Under?

Best of 2021: New/Experimental Recordings

Best New/Experimental Recordings Trio IX and Exercises Christian Wolff Trio Accanto Nicholas Hodges, piano; Marcus Weiss, saxophone; Christian Dierstein, percussion Wergo CD Three String Quartets Christian Wolff Quatuor Bozzini New World CD   On Trio IX and Exercises, Trio Accanto performs recent music by Christian Wolff, a composer with whom they have often collaborated. Trio IX (2017) is dedicated to the group, and it is filled with tunes ranging from J.S. Bach to work songs to quotes and “reminiscences”  from Wolff’s own music. This is a palimpsest of a quodlibet, and all the better for it, as the strands from

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Best of, CD Review, Classical Music, Contemporary Classical, File Under?, jazz

Best of 2021: ECM Recordings

Parker Quartet; Kim Kashkashian, viola György Kurtág: Six moments musicaux; Officium breve Antonin Dvořák: String Quintet op. 97 ECM Records   The Czech composer Antonin Dvořák (1844-1901) and Hungarian composer György Kurtág (1926-) are seldom mentioned in the same breath. One is more often likely to hear Dvořák being discussed in relation to his older colleague Johannes Brahms, and a similar pairing might be made between Kurtág and György Ligeti. However, they are paired by the Parker Quartet and violist Kim Kashkashian on a 2021 ECM CD.    While their musical languages are worlds apart, connections between Dvořák and Kurtág,

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Best of, CD Review, CDs, Contemporary Classical, Experimental Music, File Under?

Best of 2021: Recording of the Year

Number Pieces John Cage Apartment House Another Timbre 4XCD boxed set   John Cage’s Number Pieces, late compositions (from 1987-1992) are given two designations, a number indicating the size of the ensemble and a superscript indicating its order in multiple pieces for the same-sized grouping (Quintet #2 = 52). Fragments of pitches, sometimes single notes, are indicated; dynamics appear sporadically. Rhythm is codified through the use of “time brackets,” indicating how long before a performer can move to another fragment. Most of the pieces are for a particular instrumentation, although a few are unspecified. Thus, while a considerable amount of

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Best of, CDs, Experimental Music, File Under?, jazz

Happy 80th Birthday Wadada Leo Smith!

Best of 2021 – Happy 80th Birthday Wadada Leo Smith!   Wadada Leo Smith turns eighty today, and Sequenza 21 wishes him many more years of health, creative improvisation, and composing. Smith has been a driving force as a member of AACM for over five decades, a keen collaborator with jazz and concert musicians, a Pulitzer Prize finalist, and a faculty member at CalArts and elsewhere.  2021 has been a prolific one in terms of record releases by the trumpeter and composer. He is joined by wind player Douglas Ewart and drummer Mike Reed on the Astral Spirits CD Sun

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Best of, CD Review, Composers, File Under?, Piano, Twentieth Century Composer

Best of 2021 – Piano Music

William Byrd and John Bull The Visionaries of Piano Music Kit Armstrong, piano  Deutsche Grammophon CD   In The Visionaries of Piano Music, Kit Armstrong plays two of the greatest English keyboard composers active during the reigns of Elizabeth I and James I on the modern piano, aiming to show what he calls “a seamless line of development” between this repertory and more recent music written explicitly for the piano. William Byrd (ca. 1540-1623) and John Bull (ca. 1562-1628) wrote for very different instruments from the piano, the harpsichord and its smaller companion the virginal; Christofori developed early versions of

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Best of, CD Review, Choral Music, early music, File Under?

Best of 2021: Holiday Music

Hodie Christus Natus Est Boston Camerata, Anne Azéma Harmonia Mundi CD   A trio of female singers accompanied by hurdy gurdy, harp, rebec, and bells present a diverse program of medieval Christmas music in English, Latin, Italian, Iberian, and French. Plainsong hymns, responses, carols, and dances, all by anonymous sources, are performed with impeccable sound, blend, and tuning and an impressive variety of approaches. Some of the music is intoned as chant while other pieces are metricized. This repertoire would not have appeared together in a single performance, especially given the blend of sacred and secular pieces, but Hodie Christus

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